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City Come A-Walkin'
 
 

City Come A-Walkin' (Paperback)

by John Shirley (Author) "IT WAS SATURDAY NIGHT, ten o'clock, which means that the club was full to capacity ..." (more)
3.7 out of 5 stars  See all reviews (3 customer reviews)

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Product Description

Product Description

Stu Cole is struggling to keep his nightclub, Club Anesthesia, afloat in the face of mob harassment when he's visited by a manifestation of the city of San Francisco, crystallized into a single enigmatic being. This amoral superhero leads him on a terrifying journey through the rock and roll demimonde as they struggle to save the city.
--This text refers to an alternate Paperback edition.

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IT WAS SATURDAY NIGHT, ten o'clock, which means that the club was full to capacity. Read the first page
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3 Reviews
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3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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4.0 out of 5 stars A kid plot with adult content (But that's a good thing), Jun 10 2001
By Josh (USA) - See all my reviews
This review is from: City Come A Walkin' (Paperback)
This book really opens up your imagenation, because it's plot. You really need to look at the wording to understand a lot of it.The only thing I didn't like about this novel was it was a little slow at times.
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4.0 out of 5 stars Unique..., April 9 2001
By A Customer
This review is from: City Come A Walkin' (Paperback)
This is probably the most unique concept I've come across. The idea of a the city's consciousness manifesting itself is fresh and interesting. It's hard to believe this title is as old as it is. It seems like recently written cyberpunk. Pretty obvious that instead, all other cyberpunk has taken from it.
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3.0 out of 5 stars The parameters of urban morality, Jan 31 2001
By Mac Tonnies (Kansas City, MO USA) - See all my reviews
(REAL NAME)   
This review is from: City Come A Walkin' (Paperback)
Shirley's early novel "City Come A Walkin'" takes us on a surreal (and frequently brutal) jaunt through a near-future San Fransisco where the city's overmind has the ability to manifest as a mirrorshades-wearing techno-shaman with a marked dislike for bad guys. The brilliance and terror behind this straight-forward tale is Shirley's refreshing refusal to cling to genre conceits. "City Come A Walkin'" challenges the nature of identity as well as the parameters of urban morality.
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