From Publishers Weekly
Actor Jack Burns seeks a sense of identity and father figures while accommodating a host of overbearing and elaborately dysfunctional women in Irving's latest sprawling novel (after
The Fourth Hand). At the novel's onset (in 1969), four-year-old Jack is dragged by his mother, Alice, a Toronto-based tattoo artist, on a year-long search throughout northern Europe for William Burns, Jack's runaway father, a church organist and "ink addict." Back in Toronto, Alice enrolls Jack at the all-girls school St. Hilda's, where she mistakenly thinks he'll be "safe among the girls"; he later transfers to Redding, an all-boy's prep school in Maine. Jack survives a childhood remarkable for its relentless onslaught of sexual molestation at the hands of older girls and women to become a world-famous actor and Academy Award–winning screenwriter. Eventually, he retraces his childhood steps across Europe, in search of the truth about his father—a quest that also emerges as a journey toward normalcy. Though the incessant, graphic sexual abuse becomes gratuitous, Irving handles the novel's less seedy elements superbly: the earthy camaraderie of the tattoo parlors, the Hollywood glitz, Jack's developing emotional authenticity, his discovery of a half-sister and a moving reunion with his father.
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From Booklist
Irving's much anticipated new novel is problematic. Some novels are simply too long, and this is one of them. The framework of the plot cannot support so much detail and so many prolonged scenes. It is basically a biographical novel about an actor named Jack Burns, his story told from his own perspective--which is one of the novel's "gimmicks": the reader sees Jack learning the truth about what he naively observed in his early years. Jack's mother is a tattoo artist and his father a church organist. But his father has long absconded, and when Jack was a child, his mother dragged him all over Europe in pursuit of his father. His young adult and adult life is taken up by a series of women finding ways to hold his penis. The thematic threads running through this exhausting narrative are the inaccuracy of memory and how we all have ways of disguising ourselves, but by a third of the way through this almost impenetrable tale, no one will care. The last quarter of the book would have made a decent novel on its own, with flashbacks to earlier events, and it is only in the last quarter, when Jack finally pieces together his father's life and whereabouts, that this book has life and a point; however, expect considerable demand from the author's loyal fans.
Brad HooperCopyright © American Library Association. All rights reserved