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The Unbearable Bassington
  

The Unbearable Bassington (Hardcover)

by Saki (Author) "FRANCESCA BASSINGTON sat in the drawing-room of her house in Blue Street, W., regaling herself and her estimable brother Henry with China tea and small..." (more)
4.0 out of 5 stars  See all reviews (1 customer review)
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Comus Bassington is the irresponsible and ungrateful focus of his corner of British society. Circa 1900, what can be done with him--besides ship him to the Colonies, where he can no longer embarrass his mother or break the hearts of girls who ought to marry sensibly? Saki's social chaffing is gentle, revealing kernels of sympathy for all his superficial and misguided characters. As narrator, Joyce gives the right touch of class and has, besides, a gift for sketching a complete vocal characterization in a single sentence. This period piece is slow-paced, almost a ramble at times. But its subtle delights should please lovers of British social satirists from Austen to Wodehouse. S.P. (c) AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.

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FRANCESCA BASSINGTON sat in the drawing-room of her house in Blue Street, W., regaling herself and her estimable brother Henry with China tea and small cress sandwiches. Read the first page
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4.0 out of 5 stars A good peek at Edwardian England, May 11 2004
By C. K. Whitsett (Houston, TX USA) - See all my reviews
(REAL NAME)   
The Unbearable Bassington centers on Francesca Bassington, a woman obsessed with protecting her possessions, and her son Comus, a wise-cracking, irresponsible, and shallow young man who simultaneously charms and offends everyone with whom he comes in contact. Francesca has affection for her son, but wishes he could be remade as a responsible member of society, especially where such responsibility can lead to Francesca's continued well-being. Comus, however, manages both purposely and accidentally to thwart his mother's wishes, and in the end is sent into exile in Africa, where it is hoped he will make a career. Secondary characters abound, most notably Courtney Youghal, a mediocre but flashy politician with whom Comus has a shallow friendship, and who becomes Comus's rival for the hand of the wealthy Elaine de Frey. Francesca disapproves of Courtney, yet it is clear she wishes that her son were more like him. Ironically, although Comus's main shortcoming seems that he's an idler, he is no more so than his mother and her circle. It seems more to the point to say that Comus doesn't idle in the proper way.

Most of the book is a setup for the last few chapters, which deal with Comus's exile, and which are poignant in the best sense of the word. Essentially, Comus is doomed by his own nature, which will not allow him, as an adult, to fit into the society in which he was raised. I take strong issue with the idea, put forth by the previous reviewer, that Comus is Dorian Gray-like. The comparison is absurd. Comus is merely a puckish boy who doesn't fit, and so is sent away to be forgotten.

The book is a fairly complex study of human motivation, although it is somewhat undercut by Saki's need to clutter the text with political and cultural details that detract from its basic themes. Also present are Saki's ubiquitious bons mots which, while charming in his short stories, become tiresome as the book goes on. This carping aside, it is an insightful look at middle-class England in the waning days of the empire, just prior to the outbreak of World War I.

I think it's also something for us to read today, when perhaps our children aren't "achieving" as we think they should. That's why I reread it, and I'm glad I did.

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