Most helpful customer reviews
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4.0 out of 5 stars
Courtesy of Teens Read Too, Aug 24 2007
After already having seen the movie version of A SERIES OF UNFORTUNATE EVENTS, I decided to invest in reading the books. Book one, THE BAD BEGINNING, only took me an hour to finish, and it was an enjoyable, if dark, read.
The Baudelaire children--Violet, Klaus, and Sunny--are left orphaned after a mysterious fire destroys their home and kills their parents. Taken into custody by Mr. Poe, the executor of their parents' estate, they learn that their parents' will states that they must be cared for by a relative. The closest relative, unbeknown to the children, is Count Olaf, an actor and the leader of a theatre troupe who lives in a dilapidated house on the other side of town.
Things, of course, only go from bad to worse after the children move into Count Olaf's home, which is strangely covered inside and out with drawings and representations of a strange looking eye. Count Olaf even has a tattoo of the same image on his ankle. As the Count hatches a scheme to gain control of the Baudelaire fortune, which the children are not privy to until Violet comes of age, the children are alternately scared of their new "parent" and determined to find a way out of their dreadful situation.
I enjoyed this walk on the dark side, and plan on reading Book two in the series later today. That said, however, I think it depends on your child and his or her maturity as to whether this would be a good read for them or not. Although the reading material is suitable for around eight years old and up, the book is dark-natured, and might scare some children. If they've already seen the movie, they might be prepared for its darkness; if the movie depiction scared them, then hold off on the book for awhile.
Reviewed by: Jennifer Wardrip, aka "The Genius"
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4.0 out of 5 stars
Courtesy of Teens Read Too, Mar 6 2007
After already having seen the movie version of A SERIES OF UNFORTUNATE EVENTS, I decided to invest in reading the books. Book one, THE BAD BEGINNING, only took me an hour to finish, and it was an enjoyable, if dark, read.
The Baudelaire children--Violet, Klaus, and Sunny--are left orphaned after a mysterious fire destroys their home and kills their parents. Taken into custody by Mr. Poe, the executor of their parents' estate, they learn that their parents' will states that they must be cared for by a relative. The closest relative, unbeknown to the children, is Count Olaf, an actor and the leader of a theatre troupe who lives in a dilapidated house on the other side of town.
Things, of course, only go from bad to worse after the children move into Count Olaf's home, which is strangely covered inside and out with drawings and representations of a strange looking eye. Count Olaf even has a tattoo of the same image on his ankle. As the Count hatches a scheme to gain control of the Baudelaire fortune, which the children are not privy to until Violet comes of age, the children are alternately scared of their new "parent" and determined to find a way out of their dreadful situation.
I enjoyed this walk on the dark side, and plan on reading Book two in the series later today. That said, however, I think it depends on your child and his or her maturity as to whether this would be a good read for them or not. Although the reading material is suitable for around eight years old and up, the book is dark-natured, and might scare some children. If they've already seen the movie, they might be prepared for its darkness; if the movie depiction scared them, then hold off on the book for awhile.
Reviewed by: Jennifer Wardrip, aka "The Genius"
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5.0 out of 5 stars
"Scream and Run Away.", Sep 17 2006
This is a review mainly of the unabridged recording of "The Bad Beginning" ISBN 0-8072-6178-5 read by Tim Curry, with an interview of Lemony Snicket by Leonard C. Marcus. And the song "Scream and Run Away preformed by the Gothic Archies. This is also a review of the hardback book ISBN 0-06-440766-7.
Initial listening of this book brought horror and disgust (which in this case means repugnance.) Determined to finish the story despite the author's constant warnings, I must say that I became enamored of his style.
There are several pluses to listening to the recording. The pace of the recording helps keep you going when you would have set the book aside. The absence of the book's illustrations by Bret Helquist allowed you to imagine a more sinister Count Olaf and a cuter, yet with a tad of tomboy, Violet. Now the significant plus is the unmistakable voice of Tim Curry of "Rocky Horror Picture Show" and "Oscar" (1991 as Dr. Poole) fame. His interpretation of the voices gave just as much panache to the characters as Lemony's writing.
Not in the book, but as additions to the recording are two significant items that help with the understanding of the story, where it came from, and where it is going. First is an interview with the author. It covers many of the standard questions asked in an interview; the answers and the communication style is somewhat unique and a little over the top. Also there is a recording of a song that Mr. Snicket says is played by the Baudelaire memorial orchestra; I have since found that it was really preformed by the Gothic Archies, written by Gay and Loud.
I do not want to give away the plot however I can tell you that at one point they are forced to eat "boiled chicken, boiled, potatoes and 'blanched'- here means 'boiled'- string beans"
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