From Publishers Weekly
When Prince Jen hears of the happy, prosperous land of T'ien-kuo, he vows to seek out its ruler and learn from his example. And so he sets out, bearing six humble gifts for the emperor of T'ien-kuo. Readers versed in the logic of fairy tales will not be surprised when Jen's route veers from his original plan and the six gifts end up in hands other than those of T'ien-kuo's lord. Along the way, Jen falls in love, has a number of run-ins with an ambitious, bloodthirsty bandit and slowly descends from his exalted station until he is condemned to wear the cangue, a heavy wooden collar for criminals. In the novel's final scenes, the gifts and their new owners return to play an important part in Jen's struggle to save his life and kingdom. Although patchy character development slows the narrative in places, the elegant, almost archetypal plot offers considerable enjoyment. Prince Jen's travels are pleasantly reminiscent of the series of coming-of-age journeys found in the author's earlier Prydain Chronicles. Ages 10-up.
Copyright 1991 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 5-10-- From deep in the cauldron of world story comes a rich fantasy about a young man's journey from innocence to experience. In China during the Tang Dynasty, young Prince Jen, heir to the Dragon Throne, sets off to find T'ien-kuo, or Heavenly Kingdom, the utopia described by a mysterious wandering scholar. Accompanied by a large retinue of soldiers and his practical, plain-spoken servant, the idealistic, sheltered prince bears six gifts for the ruler of T'ien-kuo. As his journey progresses, he loses everything: his retinue, his possessions, his identity, his illusions, his friends, until at last, in one of Alexander's most moving passages, he finds himself a common criminal, wandering the roads of his own kingdom, wearing the wooden collar of punishment. Although experience is a harsh teacher, Jen never loses his common humanity, nor his faith in the bondmaid he loves. Alexander borrows form and content from the popular novels of the Ming and Ch'ing Dynasties, particularly Shi Nai'an's Outlaws of the Marsh (China Bks., 1988), and is influenced, as are the Ming-Ch'ing novels, by the vernacular literature of the Sung Dynasty. Yet Jen's story transcends all boundaries, mixing Alexander's familiar cast--the impulsive, good-hearted boy; the clever, independent young woman; the assortment of eccentric, loyal companions--with flavors of European folklore; Hans Christian Andersen; admiring Chinoiserie, Buddhist and Taoist ideas; Arabian Nights extravagance. Alexander satisfies the taste for excitement, but his vivid characters and the food for thought he offers will nourish long after the last page is turned. --Margaret A. Chang, North Adams State College, MA
Copyright 1991 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
