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House of Reckoning
 
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House of Reckoning [Audiobook] [MP3 Audio] [Unabridged] (MP3 CD)

de John Saul (Author), Angela Dawe (Reader)
4.0étoiles sur 5  Voir tous les commentaires (1 évaluation de client)
Prix éditeur: CDN$ 30.99
Price: CDN$ 19.52 & se qualifie pour Livraison super-économique GRATUITE pour des commandes de plus de CDN$ 39. Détails
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  • Cet article : House of Reckoning de John Saul

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Product Description

For more than three decades John Saul has haunted the New York Times bestseller list — and listeners imaginations — with his chilling tales of psychological suspense and supernatural horror. His instinct for striking the deepest chords of fear in our hearts and minds is unerring, and his gift for steering a tale from the light of day into the darkest depths of nightmare is at its harrowing best in House of Reckoning.

After the untimely death of her mother, fourteen-year-old Sarah Crane is forced to grow up quickly in order to help tend her family’s Vermont farm and look after her grieving father, who’s drowning his sorrow in alcohol. But their quiet life together is shattered when her father is jailed for killing another man in a barroom brawl and injuring Sarah in a drunken car crash. Left in the cold care of a loveless foster family and alienated at school, Sarah finds a kindred spirit in classmate Nick Dunnigan, a former mental patient still plagued by voices and visions. And in eccentric art instructor Bettina Phillips, Sarah finds a mentor eager to nurture her talent for painting.

But within the walls of Bettina’s ancestral home, the mansion called Shutters, Sarah finds something altogether different and disturbing. Monstrous images from the house’s dark history seem to flow unbidden from Sarah’s paintbrush — images echoed by Nick’s chilling hallucinations. Trapped for ages in the shadowy rooms of Shutters, the violence and fury of long-dead generations have finally found a gateway from the grave into the world of the living. And Sarah and Nick have found a power they never had: to take control, and take revenge.

About the Author

House of Reckoning is John Saul’s thirty-sixth novel. His first novel, Suffer the Children, published in 1977, was an immediate million-copy bestseller. His other bestselling suspense novels include In the Dark of the Night, Perfect Nightmare, Black Creek Crossing, Midnight Voices, The Manhattan Hunt Club, The Right Hand of Evil, Guardian, and Faces of Fear. Saul divides his time between Seattle, Washington, and Hawaii.

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House of Reckoning
74% buy the item featured on this page:
House of Reckoning 4.0étoiles sur 5 (1)
CDN$ 19.52
Under the Dome: A Novel
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Under the Dome: A Novel 3.8étoiles sur 5 (11)
CDN$ 25.07
Breathless: A Novel
6% buy
Breathless: A Novel 1.0étoiles sur 5 (1)
CDN$ 21.95
Faces of Fear: A Novel
6% buy
Faces of Fear: A Novel
CDN$ 9.99

 

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4.0étoiles sur 5 An engrossing, well-told story -- but it leaves too many questions unanswered, Nov. 23 2009
Par Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - Voir tous mes commentaires
(TOP 50 REVIEWER)    (REAL NAME)   
Billed as "vintage John Saul" and a novel that recaptures the energy and power of Suffer the Children, the author's first and best novel, House of Reckoning doesn't succeed at living up to all of the hype. That being said, it is an absorbing and very good read. I don't think Saul will ever get the respect he truly deserves in the horror community, but this man knows how to tell a story and excels at building the most sympathetic of characters. House of Reckoning isn't a novel that's going to sit around on the night table for days once you start reading it; you'll want to finish this book in a matter of a few days. As much as I enjoyed this novel, though, a plethora of nagging questions remain unanswered or less than fully addressed after in the end.

When you pick up a John Saul novel, you know you're going to be reading about good kids placed in horrible situations; the Saul pattern never really changes, a fact which his critics are more than happy to expound upon. Poor Sarah Crane may be the most sympathetic character of them all, though. Six months after her mother died of cancer, Sarah finds herself laid up in the hospital for weeks with a busted leg and hip (a tragedy suffered under some of the most tragic circumstances imaginable) while her father goes to jail for manslaughter. Once she's able to leave the hospital, she is placed with a foster family who treat (and mistreat) her as nothing more than slave labor. As the new, crippled kid at school, she is immediately ostracized. Her only friends are Bettina Philips, a most sympathetic art teacher (whom everyone in town labels a witch) and the designated crazy kid at school, Nick Dunnigan, who hears voices in his head and sees horrible visions. When Sarah is around, though, the voices in Nick's head are silent. The uncanny link between Sarah and Nick is also shared by Bettina - or, to be more precise, the old house in which she lives, which used to be an institution for the criminally insane.

Though never remotely frightening, House of Reckoning does have a share of intense moments, with a few sudden (albeit somewhat predictable) surprises thrown in along the way. Saul packages the whole thing in a tight and pretty bow, but various aspects of the ending just don't ring true. Not only do several questions go unanswered, numbered among those are a couple of last-minute questions you wonder why Saul even raised in the first place. A religious aspect that Saul adds to the story also bothers me, as it is unclear what Saul's point is supposed to be. Sarah's foster family is supposedly ultra-religious in an Old Salem kind of way, but there is no evidence of this in their behavior and actions (especially in regards to Sarah). It's unclear if Saul is attacking Christianity in and of itself (perhaps as a byproduct of his own homosexuality) or just trying to add some unnecessary spice to the story.

Despite all of my criticisms and the novel's obvious weaknesses, though, I truly enjoyed reading House of Reckoning. It can be frustrating at times to be a John Saul fan, but the good almost always outweighs the bad.
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