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In this case, the history of Ottawa is shaped by the passions of two men: house developer Jerry McGuinty and bureaucrat Simon Struthers. McGuinty is obsessive in his desire for Kathleen, a free-spirited woman he eventually marries. But McGuinty is also obsessed with fantasies of building a city out of the empty land around Ottawa--of building the future. His desire to build perfect neighbourhoods consumes him, and he is unable to see his home life falling into ruin until it's too late. Similarly, Struthers's desire to leave a legacy leads to his quest to create some sort of lasting monument in the developing city, but this passion becomes entangled with his yearnings for a young woman, with disastrous results.
The lives of the two men intersect over the course of the novel, and their interactions shape the development of Ottawa itself. Not surprisingly, the city's history is one of broken dreams and failures, of corruption and the desire for power winning out over visions and ideals. Out of this bleak material, however, a story of redemption and self-discovery slowly emerges. McAdam's characters apply the basic premise of the historical novel--reconstruction of the past--to themselves, and they explore their own lives not only to make amends for the past, but also to find new ways of living in the present. --Peter Darbyshire
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