by Mordecai Richler
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by George Bowering
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by Jane Smiley
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by Michael Ondaatje
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by Stephen Leacock
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The link between the two stories is Skvorecky's fictional alter ego, Smiricky, the professor of American detective fiction whose wife, Sidonia, has been accused of collaboration. Smiricky hones his sleuthing skills as he observes the hunt for the murderer, which implicates a cast of characters out of an Agatha Christie novel, among them a descendant of Salem witch-burners, a scheming rich beauty, a rising math star, and a weight-obsessed policewoman. At the same time, though, he can only watch helplessly (and guiltily, when he realizes he was the unwitting catalyst in the ploy to coerce his wife into spying) as Sidonia, decorated for her tireless efforts in publishing émigré and banned books, is made a scapegoat by true criminals attempting to divert public attention from their own pasts. She is the victim of an "assassination of the soul," perpetrated by a regime whose tentacles reach beyond its national borders, even beyond its unnatural life.
As in his masterpieces, The Cowards and The Engineer of Human Souls, Skvorecky uses reality as inspiration to create a fictional world where the comic and the serious collide. The novel is a hilarious satire of Canadian academe plagued by petty professional rivalries and political correctness, a searing indictment of post-Communist political practices, and a bittersweet tragedy of the past's unrelenting grip on the present. --Diana Kuprel
Copyright 2001 Cahners Business Information, Inc.
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