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Mordred, Bastard Son
 
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Mordred, Bastard Son (Paperback)

by Douglas Clegg (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)
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From Publishers Weekly

Though usually portrayed as the worm in the bud that was Camelot, Mordred, the illegitimate offspring of King Arthur and sorceress Morgan le Fay, gets sympathetic treatment in Clegg's revisionist Arthurian fantasy, the first in a projected trilogy. Born into exile on the Isle of Glass, the young Mordred knows his father only through the stories bitter elders tell of Arthur's theft of Excalibur from the Lady of the Lake. Mordred flourishes under the instruction of his mother and the wizard Merlin, but he's distracted from his education in druidic mysteries by his adolescent passion for a hermit living in the nearby wilds. That hermit's identity, coupled with a transgression that alienates Mordred from his community by the novel's end, all point to the inexorable destiny that shapes the tale's events and tinges them with pathos. Clegg (The Priest of Blood) maintains a nice balance between the human and mythic dimensions of his characters, portraying the familiar elements of their story from refreshingly original angles. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.


From Booklist

*Starred Review* Clegg puts an inspired wrinkle in the hoary tale of Arthur and the grail by casting Arthur's kindred enemy, Mordred, as a gay man. An injured stranger in a cloak and odd, paganish mask, is captured and held in a monastery, igniting wild speculation among the locals, who believe him a notorious traitor. And so he is. He is Mordred, the bastard son of Arthur Pendragon and his half sister, the witch-queen Morgan Le Fay, and he now awaits trial for murder and treason. The young monk tending him is keenly interested in him, and so for a small price, the bastard son unfolds his story. All his life, Mordred has been at the center of powerful drives--his own and those of his mother. Morgan is obsessed with vengeance against Arthur, and Mordred is absolutely devoted to his unbalanced mother. But he is terribly conflicted about his father and wildly, passionately, hopelessly in love with Lancelot. The tale he unfolds culminates in an unholy betrayal of his own magical talent by someone he loved and trusted all his life. This is the riveting first volume in a trilogy. How excellent. Paula Luedtke
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

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Customer Reviews

2 Reviews
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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4.0 out of 5 stars Hope there is a sequel, Nov 19 2007
By Sherrie M. Newell "Shonaille" (Alberta,Canada) - See all my reviews
(REAL NAME)   
A refreshing and interesting take on a tale retold many times. I was intrigued by Clegg's take here but I would love to see this continued at some point.
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4.0 out of 5 stars An interesting take on an old tale, Aug 31 2006
By MagicMan (Nova Scotia, Canada) - See all my reviews
(TOP 500 REVIEWER)   
Having read more than my fair share of Arthurian variations, I couldn't help but pick up Douglas Clegg's twist on the often cursory character of Mordred. Casting him as a gay youth growing up subject to the folkloric twists of fate we expect from legendary tales is an interesting device.

The book isn't without its challenges. I occasionally found myself questioning why the author chose one direction or another. Overall, however, I found myself captivated and curious about what would follow in the promised trilogy.

I also found it refreshing that Clegg neither glorifies nor villifies his lead character, but allowed Mordred to fumble ahead as a not-so-entirely-innocent victim of the fate that the reader knows is ahead. By challenging some of the roles of the Arthurian legend, the author does come up with a unique take on the tale that I'm sure wil be interesting to any gay reader.

The largest problem with the hardcover version was that several typographic and editing errors seem to have persisted into the published work -- which is a significant annoyance and distraction. There's nothing more jarring when you are trying to immerse yourself and suspend your disbelief (the true pleasure of reading) than having to reread a sentence and perform corrections for the text to make sense! I truly hope this gets corrected in the paperback version.

If you're gay and love fantasy and folklore, you won't want to miss this one. I'm not certain how much broader appeal it will eventually receive. I'd give it 3.5 stars if I could, but am optimistic the series will develop into something very interesting.
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