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5.0étoiles sur 5
The beginning of one of the truly great careers, Oct. 25 2002
One of the great tragedies of science fiction's success in taking over the world is that we've lost our sense of the history of the genre. After the explosion of popularity the genre saw in the late seventies, there has simply been way too much science fiction and fantasy for anyone to read all of it, much less read the best of the past. In other words, the time when every fan had read the essential works has passed; in other words, any sense of tradition and common ground has vanished into the mediocrities of Hollywood and the latest endless series of repetitious commercial formula. Which is precisely why this series of Theodore Sturgeon's complete stories, accompanied by the recent reprints of most of his novels, is so incredibly important. When one considers the fact that at the 2002 World Science Fiction Convention I met three fans who had never even heard of Sturgeon, much less read him, these reprints are highly essential. How anyone can call themselves a fan without reading Sturgeon (and Heinlein, and Asimov, and C.L. Moore, and Kuttner, and so many more) is beyond me. This first installment of the complete works of the greatest short story writer science fiction and fantasy ever produce may not be his best, but it is critical for any understanding of where science fiction began to attain the levels of greatness it has all too often forgotten. Among the best this volume has to offer includes the utterly chilling and absolutely unique "Bianca's Hands," which will both revolt and delight you, and the charming "Ether Breather," with its original aliens. As a writer myself, I enjoyed all the journeyman work, especially since I could see how the craft developed; as a science fiction critic and scholar, I also thoroughly enjoyed the biographical story notes at the end, which may be the closest we ever get to a biography. All in all, one of the great publishing events of the history of our chosen obsession.
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5.0étoiles sur 5
The beginning of one of the truly great careers, Oct. 25 2002
One of the great tragedies of science fiction's success in taking over the world is that we've lost our sense of the history of the genre. After the explosion of popularity the genre saw in the late seventies, there has simply been way too much science fiction and fantasy for anyone to read all of it, much less read the best of the past. In other words, the time when every fan had read the essential works has passed; any sense of tradition and common ground has vanished into the mediocrities of Hollywood and the latest endless series of repetitious commercial formula. Which is precisely why this series of Theodore Sturgeon's complete stories, accompanied by the recent reprints of most of his novels, is so incredibly important. When one considers the fact that at the 2002 World Science Fiction Convention I met three fans who had never even heard of Sturgeon, much less read him, these reprints are highly essential. How anyone can call themselves a fan without reading Sturgeon (and Heinlein, and Asimov, and C.L. Moore, and Kuttner, and so many more) is beyond me. This first installment of the complete works of the greatest short story writer science fiction and fantasy ever produced may not be his best, but it is critical for any understanding of where science fiction began to attain the levels of greatness it has all too often forgotten. Among the best this volume has to offer includes the utterly chilling and absolutely unique "Bianca's Hands," which will both revolt and delight you, and the charming "Ether Breather," with its original aliens. As a writer myself, I enjoyed all the journeyman work, especially since I could see how the craft developed; as a science fiction critic and scholar, I also thoroughly enjoyed the biographical story notes at the end, which may be the closest we ever get to a biography. All in all, one of the great publishing events of the history of our chosen obsession.
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3.0étoiles sur 5
Even the best start somewhere, Mars 23 2000
This volume showcases the earliest works of Sturgeon, and it shows both that he was going to be really, really good, and that he wasn't quite there yet.
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