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Thomas the Rhymer
 
 

Thomas the Rhymer (Hardcover)

de Ellen Kushner (Author)
3.5étoiles sur 5  Voir tous les commentaires (2 évaluations de client)

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From Publishers Weekly

Based on the famous ballad of the medieval minstrel who was abducted by the Queen of Elfland, this romantic fantasy is a happy blend of discreet scholarship and literary style. A Boston-based radio producer, Kushner ( Swordspoint ) is at ease in Middle-Earth where Thomas, insouciant harper and rhymer, appears at the humble dwelling of a weathered crofter and his wife. Dazzling them with stories of the king's court, the damsels he's won and the sights he's seen, he also enthralls young Elspeth, a neighbor. Their mutual attraction is frustrated when Thomas suddenly disappears, and for seven years is held captive by the silken Queen of Elfland, who releases him with a questionable gift, the inability to speak anything but the truth. As Thomas renews his earthly life with Elspeth, the gift leads to interesting complications. Kushner creates a lavish microcosm where riddles and runes and magical transformations govern.
Copyright 1990 Reed Business Information, Inc.


From Library Journal

Thomas the Rhymer's carefree life as a wandering minstrel changes forever when a fateful encounter with the Queen of Elfland takes him from the world for seven years, returning him unmarked by age and gifted with the inability to lie. The author of Swordspoint brings the freshness of her storytelling talent to this ballad-inspired tale of a man's brush with immortality and its inescapable legacy. This graceful medieval fantasy is highly recommended and may have appeal to nongenre readers.
Copyright 1990 Reed Business Information, Inc.

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2 évaluations
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3.5étoiles sur 5 (2 évaluations de client)
 
 
 
 
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4.0étoiles sur 5 Bittersweet..., Juil 12 2005
Par Un client
An unusual and enjoyable approach to the tale of Thomas the Rhymer. Not a book that emphasizes action, but one that emphasizes flavour and atmosphere...

Kushner's fairies are appropriately otherworldly, with somewhat inscrutable motives; at the same time, they are strangely circumscribed. Though the glimpse she provides is limited, it is quite an interesting conception of the realm of faery.

I enjoyed this book so much I searched out her other projects!

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3.0étoiles sur 5 Not the usual fantasy fare, Jui 9 2004
Par amazonker (Minneapolis, MN) - Voir tous mes commentaires
This is not a book to read if you're seeking a stirring adventure. Thomas does go on a long, strange trip, but the focus is as much on how his life impacts the people important to him as it is on his experiences in Elfland. Kushner's decision to write only Thomas's Elfland experiences in his own voice, then, is a clever one. Also, seeing Thomas before and after his journey through the eyes of others reveals the extent of the change in him more thoroughly than if we remained in his head.

Kushner does an excellent job of giving each of the four narrators a distinct perspective, a difficult thing to do. And because they see different things in each other and percieve their relationships with one another differently, there's the opportunity to ponder how it is we get along in the world when we all have disparate visions of reality. This is a marvelously subtle way to question whether True Thomas can ever wholly tell the truth. Is the truth absolute, or is it changeable depending on individual understanding? This question lingers long after the book is shut.

So why did I give Thomas the Rhymer only three stars? Well, for all the lovely writing and thoughtful structure, it left me cold. For one, the Faery Queen who is the heart of all this trouble and change seemed to me little more than a blowup doll. She laid a couple of spells on Thomas, but mostly all they did was copulate, and I needed either for her to be more interesting or to feel more of why Thomas was infatuated with her. (Because of the distance I felt from her, also, the ending of the book was less moving for me than it should have been.) Apart from that, I felt Kushner passed over a great opportunity to explore what the effects of Thomas's truth-saying might be. There was some of that, certainly, in the final section of the book, but much was made of the gift of truth-telling in Faery (and whether it was a gift at all), and then very little was done with it.

Reading this book is a gamble. It has its virtues, and if you think you'll enjoy piecing together a larger meaning based on the fragments of story and varying points of view, you'll probably enjoy it well enough. However, if you want a story that swallows you whole and spits you out at the end with no respite to sit back and intellectualize, this may not be for you.

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