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The protagonist of Tim Parks's
Destiny is a disillusioned, fiftysomething journalist intent on writing a book about Italy's national character. It's not merely intellectual curiosity that has led Christopher Burton to this project: as an expatriate Englishman, he's also desperate to figure out the inhabitants of his adopted country, and more specifically, his Italian wife. "You cannot marry a woman in one language and think in another," he muses, convinced that what he once found vehement and exciting about her has been revealed as shallow and distasteful. Mistaken for a German in Italy and an American in England, the narrator beautifully articulates the dilemma of living amid a confusion of tongues. "Language is national destiny," he concludes, which would seem to be bad news for his marriage.
Meanwhile, Burton and his wife are confronted with another, nonlinguistic catastrophe. During a three-month stay in England, the journalist learns that his only son has committed suicide in Italy. His first emotion is not grief but a kind of relief--after all, it was mainly Marco's schizophrenia that kept the couple together. As they travel back home, however, his flamboyant wife begins to unravel, and punishes him by lapsing into a "miserable and uncooperative mutism."
Destiny is an astute study of the inappropriate behavior that accompanies grief, as well as a blistering look at a marriage of equals--at love's endless loss and retrieval. The fractured, claustrophobic narration perfectly suits Burton's mood, as he lurches from ugly confusion to sublime lucidity, even (or especially) in the presence of his son's corpse. "Marco is less remarkable in death than in life," he notes, and then continues:
To my immense relief he was dressed. The corpse was dressed. My wife wasn't there. Dark trousers, blue sweater.... There were two or three heavy pieces of dark wooden furniture and a Sacred Heart on the near wall. A public space that apes the private, I thought, or the imagined private of a distant past. That saves you taking your late beloved home to lie under halogen light by the television.
It all adds up to an intelligent, enthralling performance. And Parks, who has previously taken on the question of Anglo-Italian manners in
Italian Neighbors and
Europa, accomplishes his most wicked exploration yet of identity and our truly, madly, deeply conflicted motivations.
--Cherry Smyth
From Publishers Weekly
Reading this stunning tour de force from the prolific Parks (Europa, etc.) is like riding an out-of-control roller coaster through the dark caverns of a delusional brain. The news of his schizophrenic son Marco's suicide in a clinic near Turin sends ex-foreign correspondent Christopher Burton into a tailspin. As he and his Italian wife travel back to Italy from London, the teeming fragments of Burton's consciousness recoil from the reality of Marco's death, and he frantically ruminates about his 30-year marriage, fulminating against his wife for her theatricality and flirtatiousness, and for the rancor, fury and bitterness she has displayed toward him. Slowly, some facts emerge: Burton has behaved deceitfully toward his family; he has quit his job because he's possessed by the monomaniacal idea that he will write a "monumental" book, "an extraordinary achievement" that will prove that character is destiny and that national character is predetermined as well; and he and his wife used Marco as a pawn: "We drove him mad." Most of Burton's inchoate thoughts are highly inappropriate: he obsesses about an interview he plans to conduct, the day of Marco's funeral, with ex-prime minister Giulio Andriotti, who was indicted for criminal acts while in office. As Burton's stream of consciousness approaches disintegration, he finally admits truths about himself and his behavior in what becomes a deeply affecting portrait of a man in mental anguish. Parks's skill in constructing his headlong narrative plunges readers into Burton's mind; this is, after all, a more or less universal portrait of human relationships, fueled by tumultuous emotions, devious motivations, clashing egos and love-starved hearts. (May)
Copyright 2000 Reed Business Information, Inc.
