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Swamp Thing VOL 04: A Murder of Crows
 
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Swamp Thing VOL 04: A Murder of Crows (Paperback)

de Alan Moore (Author)
4.8étoiles sur 5  Voir tous les commentaires (8 évaluations de client)

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How did the DC character most noted for simplicity handle the hyper-complexity of the Crisis on Infinite Earths? In the ever-able hands of Alan Moore, Swamp Thing: A Murder of Crows rises above the mid-1980s corporate reorganization to grant our hero his apotheosis into his current plant elemental form. Fans of John Constantine will eat up the smart-aleck astral con man's performance throughout, and the central struggle--uniting good and evil against something much bigger and older than either--is classic Moore. The art is bold and beautiful, organic by necessity, and contributes as much to the reader's suspense as the script. It seems that Moore et al. have spent so much time transcending their medium that they may have created a new one of their own. --Rob Lightner

Product Description

How did the DC character most noted for simplicity handle thehyper-complexity of the Crisis on Infinite Earths? In the ever-able hands of Alan Moore, Swamp Thing: A Murder of Crows rises above the mid-1980s corporate reorganization to grant our hero his apotheosis into his current plant elemental form. Fans of John Constantine will eat up the smart-aleck astral con man's performance throughout, and the central struggle--uniting good and evil against something much bigger and older than either--is classic Moore. The art is bold and beautiful, organic by necessity, and contributes as much to the reader's suspense as the script. It seems that Moore et al. have spent so much time transcending their medium that they may have created a new one of their own. --Rob Lightner

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What Do Customers Ultimately Buy After Viewing This Item?

Swamp Thing VOL 04: A Murder of Crows
44% buy the item featured on this page:
Swamp Thing VOL 04: A Murder of Crows 4.8étoiles sur 5 (8)
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L'avis des consommateurs

8 évaluations
5 étoiles:
 (6)
4 étoiles:
 (2)
3 étoiles:    (0)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
Évaluation du client type
4.8étoiles sur 5 (8 évaluations de client)
 
 
 
 
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Commentaires client les plus utiles

 
4.0étoiles sur 5 The mother of all battles..., Avril 28 2004
Par Sibelius (Palo Alto, CA USA) - Voir tous mes commentaires
...is the apex in this Fourth Volume of the Alan Moore helmed issues #43 - 50 of D.C. Comics, 'The Swamp Thing.' But before this battle occurs some interesting things take place. For starters we get an imaginative hallucinatory ride as two people under different circumstances eat servings of the Swamp Thing's 'yam fruit,' and experience vibrant psychedelic journeys that change their lives in one way or another. The Swamp Thing also does battle with a serial killer, faces a legion of ghosts in a Winchester Mystery House-esque haunted mansion, stumbles into violent chaos when parallel worlds collide, learns some new Elemental tricks while meeting his ancestors, and finally faces off with the ancient tribe of Warlocks - the Brujeria - who are bent on unleashing an ancient evil that will destroy Heaven itself. From this point, the last few chapters build up too a whopper of a climax in the ultimate battle between dark and light that the universe has ever seen.

Definitely a great volume in this series as it offers fans everything that they've come to expect while taking it to new metaphysical heights and thus gearing readers for some intersting twists to come.

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5.0étoiles sur 5 The best book in Moore's series., Aoû 19 2003
Par Ben Arthur "bob_slider" (Scotts Valley, CA United States) - Voir tous mes commentaires
(REAL NAME)   
When I read this book, I could feel myself warming to the whole storyline, and when I got near the end I knew I couldnt stop for anything. Most comics have a very black and white feel, and there are standard storylines that both Marvel and DC use constantly, but the whole Swamp Thing series is totally different. I felt as though I was reading a novel, where anything could happen, and I could identify with Swamp Thing. Swamp Thing isn't a super hero, he's just a regular guy who finds himself turned into a plant. One part of him, the human part keeps looking for answers, but the plant part already knows the answers, and just wants to surrender to the green. In this fourth book Swamp Thing learns what will happen when he lets the plant part of himself take over, but he also seems to strike a balence, He relaxes into himself, and by the end of the book he seems changed. Swamp Thing grows up in this book.
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5.0étoiles sur 5 Swampy Saves the Multiverse, Mai 3 2003
Par doomsdayer520 (Pennsylvania) - Voir tous mes commentaires
(TOP 500 REVIEWER)   
In this round of Swamp Thing installments from Alan Moore (original issues #43-50, which includes the double-size anniversary issue), plot elements that had been developing for a year or more finally come to fruition. That would be a battle even bigger than good vs. evil in the final story of this collection, fittingly titled "The End." Here we see the full apotheosis of Alan Moore's groundbreaking work with comic horror writing, a defunct style that he courageously made hip again at the time. And although the Swamp Thing series was thematically unlike anything else DC was doing at the time, Moore still ties Swampy's saga into the greater DC universe. John Constantine and a collection of minor and obscure characters associated with magic and sorcery help in the great battle for the universe. Meanwhile Swamp Thing allies himself with the heaviest hitters in DC's stable of occult characters, including Spectre, Etrigan (The Demon), Phantom Stranger, Dr. Fate, and the very suave Deadman. There is also a flawless crossover with the then-current Crisis on Infinite Earths epic, surely one of the great endeavors ever undertaken by a comics company.

One very interesting aspect of Moore's plotlines during this period is how Swamp Thing himself often falls into the background of the stories, as the focus is on the horrors around him, and he makes dramatic Lone Ranger-like appearances to save the day. Even in "The End" Swampy is a minor presence, action-wise, then defeats the force of darkness simply by reasoning with it rather than fighting. In this collection's first tale, "Windfall," Swamp Thing only appears on one page, and the focus of the story is a psychedelic fruit that grew on his back. During this period of the series, things were changing artistically, as regular artists Stephen Bissette and John Totleben were often overworked or unavailable. Here Stan Woch and Ron Randall really make their presence felt, especially in the most tremendous story of this stretch, "The Parliament of Trees." This concept is surely inspired by Tolkein, and in turn I bet that Woch and Randall's visual creations were an influence on the producers of the recent "Two Towers" film. By the end of this collection Moore and his great team of artistic collaborators continue to teach us about the deep roots of the Swamp Thing character, and he's not yet done learning himself.

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Commentaires client les plus récents

5.0étoiles sur 5 Magic in the Mire
Lets face it, Alan Moore is God's gift to the comic book reader. His stories are so intense, so cerebral, so completely real that I guarantee if you give any of his books to a... Read more
Publié le Janv. 17 2003 par Kristin Munson

5.0étoiles sur 5 Alan Moore Magic in a Swamp + Beyond
In "Murder of Crows", the Swamp Thing graduates from one dimensional 'monster that was once a man' to a world-saving elemental with Alan Moore's signature mix of horror and... Read more
Publié le Jui 2 2002 par nemoistic

5.0étoiles sur 5 Very Good Graphic Novel
I have never been a fan of Swamp Thing or John Constantine, and I mainly bought this just for the novelty of having something different. Read more
Publié le Mai 22 2002 par E.Nigma

5.0étoiles sur 5 The best Moore, the best Swamp Thing, the best comic ever
Not sure I know what that other reviewer is talking about.

This is, simply, the best comic stories ever, bar none. Read more

Publié le Fév 1 2002 par H. J. Spivack

4.0étoiles sur 5 Not the best, but certainly close
It's always difficult to put Alan Moore's work on a scale, since they're often so very high caliber to begin with. Read more
Publié le Oct. 30 2001 par A. Sypnier

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