Most helpful customer reviews
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5.0 out of 5 stars
Fuentes at his most fun and prescient, Jan 9 2004
Currently on a Fuentes kick, I picked up Christopher Unborn. Although written in the 1980's about 1992, Fuentes is completely on target in his subject matter, and his Makesicko of 1992 looks a lot like today.
You will read this and recognize american liberals and conservatives, southern mexican secessionist sympathizers, leftist ideaologues, mall shoppers and reality tv "celebrities" all captured and satirized perfectly. I read this book with a sardonic smile not thinking of the past, but of today.
The man's a genius, and any book of his is worth a good read, but underneath the narrative is a lot of fun. Of the 3 novels I have read, I get the greatest sense that Fuentes truly loved his characters, flawed and cracked as they are.
Some of it is challenging, but Fuentes always is, and usually working through the challenges is highly rewarding.
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5.0 out of 5 stars
Brilliant, Jul 9 2001
This book was written on the eve of the 500th year anniversary marking the fateful encounter between the Spanish Euoropeans and the various indigenous groups of the Americas. Not so coincidently, the prolific, briliant writer Carlos Fuentes sets the circumstances to this novel to coincide with the event. The premise for the book is a contest being held in Mexico with a great prize offered for the first born child on the 500th anniversary of Columbus's arrival. The child is Christopher, the narrator of the novel who makes shrewd observations about the world he will be born into, all from the comfort of inside his mother. This allows Fuentes, the author, to rip into all of the ills of modern Mexico with his usually witty and sharp use of lanuage. A master at manipulation of common laguage, he changes the words to fit his vision. Several examples of how he changes words are Mexico City to Makesicko City, Kafkapulco, Quasimodo City, Samsaville, Huitzilopochtliburg or President Dangerous Dickson before the Watergate Waterloo, blockabulary for vocabulary,Califurnace, PornoCorno, Coca-Culo and Acapukelco(or did I make this last one up?). However this is nothing compared to the daggers Christopher throws at everything from the devastation of the earthquake and the aftermath, the PRI, Mexican history and all it's tragic consequences including the massacre at Tlateloco, the narco-polices ties to the narco traffickers themselves and in short, all is fair game for Fuentes via his narrator Christopher. His observations on popular culture include everything from Lennon to Lenin to Boy George. It is a scathing, passionate view of the world Chistopher will enter. Christopher contends his nine months inside his mother are when his life began and this comfort and fear of what is out there make the narration a brutal, wry, cynical commentary. The satirical view is enhanced by a cast of characters who all are part of the make up of a world Christopher will inherit. The action of the novel is a backdrop for a political campaign and all it's cast of characters both for and against.Some of the names of these politicos and associates are Deng Chopin, Hipi Toltec, Fagoaga, Matamoros Moreno, Robles Chacon and D.C Buckley just to name a few. Coming in at over five hundered pages it is no easy read but totally enjoyable. The literature flows beautifully, creating images as only Carlos Fuentes can. As one of the preeminent writers of our times, Fuentes unleashes a novel for the times that will be reflected upon years from now as a masterpiece marking the collision of worlds that occurred five hundred years ago. This is an excellent book for educators at the AP level in high school or college to use for a literature class or to supplement a history course. Highly recommended for anyone interested in Mexico and it's contemporary literature.
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