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Product Description
From Publishers Weekly
Two intriguing and poignant novellas, Perec's first published works, show him forging the iconoclastic literary style that fully emerges in his magisterial Life: A User's Manual --the technique of crowding fictional space with an almost rococo wealth of detail and decor. Things (1965) coolly pinpoints the yearnings and malaise of young Jerome and Sylvie, market researchers who analyze their interviewees' needs just as Perec inventories their own. Media slogans and trendy magazines dictate the luxuries they would buy if they had money. To escape the consumerist mythology, they move to Sfax, a drab desert outpost in Tunisia. But although they locate a beautiful villa, their dream eludes them. The narrative slips into future tense: "They will pine for Paris," go back and recall Sfax with nostalgia. In A Man Asleep (the basis of a 1973 award-winning film), an introspective graduate school dropout denies the pressures of time, first by examining each instant as he lies in bed, then by drifting through Paris streets in an imitation of sleep's shadowy oblivion. Despite his characters' trapped, "decelerating" lives, Perec's fertile imagination is fresh and surprising.
Copyright 1990 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Copyright 1990 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Product Description
With the American publication of Life, a User's Manual in 1987, Georges Perec was immediately recognized in the U.S. as one of this century's most innovative writers. Now Godine is pleased to issue two of his most powerful novels in one volume: Things, in an authoritative new translation, and A Man Asleep, making its first English appearance. Both provoked strong reactions when they first appeared in the 1960s; both which speak with disquieting immediacy to the conscience of today's readers. In each tale Perec subtly probes our obsession with society's trappings-the seductive mass of things that crams our lives, masquerading as stability and meaning. Jerome and Sylvie, the young, upwardly mobile couple in Things, lust for the good life. "They wanted life's enjoyment, but all around them enjoyment was equated with ownership." Surrounded by Paris's tantalizing exclusive boutiques, they exist in a paralyzing vacuum of frustration, caught between the fantasy of "the film they would have liked to live" and the reality of life's daily mundanities. In direct contrast with Jerome and Sylvie's cravings, the nameless student in A Man Asleep attempts to purify himself entirely of material desires and ambition. He longs "to want nothing. Just to wait, until there is nothing left to wait for. Just to wander, and to sleep." Yearning to exist on neutral ground as "a blessed parenthesis," he discovers that this wish is by its very nature a defeat. Accessible, sobering, and deeply involving, each novel distills Perec's unerring grasp of the human condition as well as displaying his rare comic talent. His generosity of observation is both detached and compassionate.
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