From Publishers Weekly
Doval provides an intimate portrait of life inside Communist Cuba in this absorbing if uneven debut. It is January 1982: Che Guevara is a national icon; bread lines curl around Havana corners; and 16-year-old Lourdes Torres is leaving her sheltered urban existence, bound for a camp in the nationalized tobacco fields of the western province of Pinar del Rio. Despite receiving conflicting messages about life in Cuba—the meager food rations vs. communism's pledge to provide for everyone; professed egalitarianism vs. racial discord in her own mixed-race family; an atheistic government vs. clandestine religious sacrifices—Lourdes is an idealist. Socialism makes life better for all, she thinks, and no one is oppressed under Castro's benevolent leadership. Once at the state-run work-study program called School-in-the-Fields, Lourdes learns a lot more about life than she does about tobacco cultivation. There's sex, for one thing: she desires her gorgeous friend Aurora, who "changed lovers as easily and shamelessly as she changed clothes," but she finds a boyfriend in Ernesto, and everywhere, people are hooking up and peeling apart. Her naivete slowly crumbling—after vain, youthful attempts to champion socialist ideals—she eventually becomes aware of the unbecoming underbelly of a flawed culture. By the time she returns to Havana, Lourdes has learned that racial prejudice, duplicity, incompetence, laziness, larceny and oppression are not exclusive to capitalist nations. Doval's flat-footed prose and too-deliberate exposition slow the pace, but her sensitive characterizations and rich picture of Havana and the beguiling Cuban landscape redeem her story.
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From Booklist
In 1982 Lourdes is a 16-year-old "short, copper-skinned mulatica" who must leave her comfortable home in Havana for her four-month stint in the countryside at a government-ordered student work camp. At home, Lourdes loves Russian cartoons and plays with dolls, and once at camp, she feels younger than her friends, who sneak out in the evenings for steamy encounters with boyfriends. She's particularly overwhelmed when the object of her own first passionate crush turns out to be her female bunkmate, the sexually precocious Aurora. While trying to sort out her feelings for Aurora, she masters "the gymnastics of necking" with her first boyfriend and begins to recognize the hypocrisies of communism (particularly when a corruption scheme is uncovered at camp), her father's philandering, and the racism within her family and even herself. Written in Lourdes' vulnerable, believable voice, this moving first novel describes the particulars of living under Cuban communism while skillfully articulating "the pieces of a childhood inexorably left behind."
Gillian EngbergCopyright © American Library Association. All rights reserved
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