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From Publishers Weekly
Swedish author Tursten's taut third contemporary police procedural (after 2006's The Torso) opens with a compelling setup: after Det. Insp. Irene Huss and her team find Jacob Schyttelius, a divorced teacher, shot to death in his isolated cottage, his computer monitor marked with a bloody Satanic symbol, they visit his parents, Sten and Elsa, only to find them dead as well and with the same markings on their computer. The data on both machines was erased professionally, and the only viable lead, Jacob's London-based sister, Rebecka, is too devastated by the dual tragedy to offer much assistance. Huss focuses her inquiry on Sten, a minister who had been investigating a local Satanist movement, in the belief that he may have been killed in revenge. The solution is both logical and depressing. Tursten does her usual solid job of populating the novel with credible, flawed characters and bringing to life modern Swedish society. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte provient de la Hardcover édition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte provient de la Hardcover édition.
From Booklist
The third Irene Huss mystery to appear in the U.S. is considerably less gritty than either detective Inspector Huss(2003) or The Torso(2006), but it continues Tursten's sensitive exploration of how a female detective manages to balance family life with police work: not only the time pressures but also the jarring psychological disconnects that occur when jumping between dramatically different worlds. This time Huss' case--the execution-style murders of a minister, his wife, and their schoolteacher son--takes the Swedish detective from the scene of the crime, a village outside Goteborg, to London, where the traumatized daughter of the minister lives. Road-trip mysteries inevitably sacrifice the signature landscape that is often key to the series' appeal, but in this case, the fact that Huss is on her own in London gives Tursten the opportunity to probe deeper into her heroine's character. The plot itself is less compelling than the previous two entries in the series--the shocking climax will be guessed early on--but Huss is quickly becoming one of the most satisfying lead characters in the thriving world of Swedish crime fiction. Bill Ott
Copyright © American Library Association. All rights reserved --Ce texte provient de la Hardcover édition.
Copyright © American Library Association. All rights reserved --Ce texte provient de la Hardcover édition.
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