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5.0étoiles sur 5
Bizarre, Grotesque, Absurd, and all too real!!!, Mars 18 2004
Comparisons with other writer's do not do justice to Mr. Saunders! His zany, laugh out loud, heart rending tales, are simply in a class of their own! And his stream of conscious narrations are about perfect! Take the bike riding boy in one tale. This youngster daydreams in a sci-fi world wishing for weird things to happen to his neighbors. How many other boys, and girls, have done the same, but who else can write about it like Mr. Saunders! Or the narrator of "The Falls", obsessed with his grown up neighbors, and wondering how to greet his odd "friend". Then Mr. Saunders reverses course, and into the mind of the frustrated artist antagonist, all the while sending a sly warning about two girls boating towrds the falls! There's the daydreaming barber with no toes, who lives with his mother, wondering about making the first move towards a beautiful, but awkwardly overbuilt, fellow student at a course for driver's caught speeding, not to mention the all too real instructor. Who would not want to be a student in this unique author's creative writing class?! The title tale also has its strange moments, as does the entire collection of a real original in contemporary writing!!
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1.0étoiles sur 5
Losers & Whiners learn to Hope, Fév 25 2004
Par Un client
I was stuck on a plane with no other book to read or I would never have finished this one. The first story of people as theme park exhibits reminded me of Star Trek episode with Orwellian overtones. You can only save yourself by betraying others, and the life you are saving yourself for is probably not worth the self laothing. Perhaps the stories are well written, but the themes are so off-putting that they detract from any enjoyment.
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3.0étoiles sur 5
If you like Dellilo, climb aboard, if not, think twice., Janv. 25 2004
In his short story collection Pastoralia, George Saunders guides us through alternately self-pitying, self-aggrandizing, self-castigating, self-deceptive, and simultaneously self-aware selves. His characters often live grotesquely pathetic lives: a middle-aged worker on a computer company factory line who longs to get rid of the mildly retarded sister he cared for, a male stripper who is rated by his customers as somewhere between "Honeypie" and "Adequate" and lives in the projects with his two malopriating sisters and self-abnegating aunt, a fat, hateful little boy constantly mocked by his mother and step-father, a barber born without toes who is tortured by his inability to see beyond the physical imperfections of the women in his life. Almost all male, often adults still living with their mothers, self-identified lifelong losers, Saunders' characters brood on past injustices and failures and, more often than not, show themselves unable to break the patterns that have stalled their lives. These are comic tales, though not, in my view, of the laugh-out loud kind. They are darkly, even bitterly, ironic, and though Saunders sometimes tempers his irony with redeeming moments of pathos, his world is generally one in which mean spiritedness rules the day. Whether the storyteller, himself, is guilty of such mean spiritedness or whether he merely documents it, is difficult to say. One can detect a certain degree of affection toward these characters in the narrative voice, but there is also a little disdain. This ironic detachment is, perhaps, what marks these tales as postmodernist. I am reminded not so much of Pynchon as of Don DeLillo, so that if you like the latter writer, I suspect you will enjoy Saunders. I, myself, am not a fan of this brand of postmodernism. Ultimately, such writers in my view construct mere caricatures-highly complex, sophisticated caricatures, but caricatures nonetheless. If you are more humanist than postmodernist, I think you will find these tales to be interesting, but limited, explorations of our psychic warts. One more thing. I haven't discussed the first story in the collection which gives the book its name. I did read it, but I found it so alienating I almost did not continue on to the other stories. Set either in the near future or in some alternate dimension of the present, "Pastoralia" is the story of a man who earns his living by serving as a live exhibit in some kind of historical theme park. Hired to be a Neanderthal, his job requires him literally to live in a cave, mimicking the daily activities of our prehistoric ancestors for sporadic visitors. He finds himself caught between the demands of a woman partner who refuses to remain in character and an exploitative management that appears to be running the theme park into the ground. It's an imaginative plot, but I found the execution tedious and unrewarding. So, my advice to the reader is not to skip this story, but simply to be patient. If feel like your slogging through it like I did, don't toss away the book. There are better things to come.BTW, in looking over the other reviews, I see that I am among a tiny, tiny minority. Nearly everyone else gives Saunders five stars and lauds him as hilarious, insightful, and original. Maybe I have a def ear to this kind of satire, but I found all of these raves to be hyperbolic. One of the few other reviewers who is critical of this collection suggests that Saunders appeals distinctly to men. She may have a point. Maybe Saunders cynicism is more male oriented. I also suspect though, that he appeals to many readers because he enables them to feel smart and superior not only to the consistently pathetic protagonists but also to the moronic demands of the society that they live in. I'm no big defender of the status quo, but I'm afraid I just don't see the world as quite so stupid as these stories portray it, and so I don't take any joy from the collection's social critique. The barbs aimed at the social order are undoubtedly clever, but they are hardly subtle.
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