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American Signs: Form and Meaning on Rte. 66
 
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American Signs: Form and Meaning on Rte. 66 (Paperback)

by Lisa Mahar-Keplinger (Author)
4.3 out of 5 stars  See all reviews (3 customer reviews)
List Price: CDN$ 45.00
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Product Description

Product Description

The roadside sign has become an American icon: a glowing neon symbol of the golden age of the open road. Yet signs are complex pieces of design, serving not only as physical markers but also as cultural, political, and economic ones. In American Signs, Lisa Mahar traces the evolution of motel signs on Route 66 in a distinctive visual approach that combines text, images, and graphics.

American Signs reveals the rich vernacular traditions of motel sign-making in five eras, spanning from the late 1930s through the 1970s. The motel signs of the early 1940s, for instance, reflect vernacular traditions dating back at least a century, while examples from the later years of the decade reveal a culture newly obsessed with themes. America's fascination with newness and technological progress is manifested in 1950s motel signs. Finally, in the 1960s, a turn toward simplicity and the use of new, modular technologies allowed motel signs to address the needs of a mass society and the beginnings of a national, rather than regional, aesthetic for motel signs.


About the Author

Lisa Mahar is a cofounder and partner in the New York architecture and design firm MAP. Her first book, Grain Elevators, won the AIA International Book Award. Mahar is the recipient of the Design Arts Awards from the National Endowment for the Arts and the New York State Council on the Arts and is a winner of the ID Magazine Graphic Design Honor Award.

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Customer Reviews

3 Reviews
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Average Customer Review
4.3 out of 5 stars (3 customer reviews)
 
 
 
 
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3.0 out of 5 stars Interesting and informative, but book design is annoying, April 24 2004
By Steve Storey (Duluth, GA United States) - See all my reviews
Anyone interested in the history of roadside signs will learn much from this book, but what a chore it is to read it. The main text is in bright red type with minimal margins. Captions and diagrams are in black type (thankfully) but far too small to be read easily. In many diagrams the type is not only tiny but is also in all-caps, which might not be a problem if the diagrams weren't so wordy. Some of the photos are so small that we just have to assume that they illustrate the author's points.

I recommend the book because of its content, but be sure to get a good reading light and a magnifying glass to get the full benefit.

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5.0 out of 5 stars A must have, April 20 2003
By A Customer
This book is a must have for architects, designers, and fans of Route 66! Mahar's careful and inspired approach and method is encouraging and inspiring. Her analysis provides an insight that embraces and transcends the material. The book creates a record of 'The Road,' the nation, and vernacular culture. This complete and multi-discipline analysis provides massive visual and textual interest. The book is organized chronologically in a consistent way, highlighting the developments and changes that occured in Route 66's motel signage and culture. The whole study can also be viewed as a microcosm of the changes that occured in America during the period covered (40's - 70's). The graphics, photographs and writing will appeal to fans of Tufte's books on visual comminication, Venturi's Learning from Las Vegas, and Glassie's Folk Housing in Middle Virginia.
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5.0 out of 5 stars American Signs: Form and Meaning on Route 66, April 11 2003
By Michael Webb (London, England > Los Angeles, USA) - See all my reviews
A scholarly study of vintage motel signs on an abandoned highway may sound absurd, but architect Lisa Mahar draws you into her obsessive quest. She spent eight years on research and layout--driving, photographing, and analyzing the shifts in style over the 35-year heyday of what was once America's most celebrated artery. It celebrates a vanished era of local sign makers who had pride of craft and a responsiveness to location, in contrast to the standardization of corporate logos. Mahar's analysis of geometry and iconography is fascinating. (Michael Webb is the book reviewer for LA Architect magazine.)
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