Most helpful customer reviews
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5.0 out of 5 stars
A Ripping Sci-Fi Yarn, Oct 19 2002
Annals of Klepsis is one of Lafferty's most satisfying books, but differs quite a bit from his better-known works. It's not a profound, brain-frying novel like Fourth Mansions, but it's not as airily light as The Reefs of Earth. It doesn't bog down like his most unreadable books--number one being Apocalypses, or stall in spots like The Devil is Dead. It doesn't crumble under the weight of some big idea, as do some of the short stories. It differs from obvious horror books in not relying on shock value, and from obvious sci-fi in not relying on neat plot tie-ups.It's Lafferty's most visual book, which is to say it conjures up unforgettable pictures. I wish this had been the beginning of a trilogy, because the book drops off right when it gets going. Some of Lafferty's books end up in a very satisfying way, like Fourth Mansions, or Past Master. This book opens up at the climax more than it ends. Like the Star Wars films, you wait for the next one--only there aren't any more. The idea of this book, of pirates who leap through space to plunder worlds, is strong and substantial, and the lightly comic tone seems made for movies or video games or some larger realm than just one book. Maybe some other writer can take up with Lafferty's characters and worlds, as with the novels based on Isaac Asimov's robots--with, of course, a suitable deal cut with Lafferty's estate. It's odd that Lafferty is such an untapped source, because he's simply a better writer than most of those behind films and TV today. This is an easy going science fiction yarn that you don't have to be a Lafferterian to devour.
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5.0 out of 5 stars
A Ripping Sci-Fi Yarn, Oct 19 2002
Annals of Klepsis is one of Lafferty's most satisfying books, but differs quite a bit from his better-known works. It's not a profound, brain-frying novel like Fourth Mansions, but it's not as airily light as The Reefs of Earth. It doesn't bog down like his most unreadable books--number one being Apocalypses, or stall in spots like The Devil is Dead. It doesn't crumble under the weight of some big idea, as do some of the short stories. It differs from obvious horror books in not relying on shock value,and from obvious sci-fi in not relying on neat plot tie-ups.It's Lafferty's most visual book, which is to say it conjures up unforgettable pictures. I wish this had been the beginning of a trilogy, because the book drops off right when it gets going. Some of Lafferty's books end up in a very satisfying way, like Fourth Mansions, or Past Master. This book opens up at the climax more than it ends. Like the Star Wars films, you wait for the next one--only there aren't any more. The idea of this book, of pirates who leap through space to plunder worlds, is strong and substantial, and the lightly comic tone seems made for movies or video games or some larger realm than just one book. Maybe some other writer can take up with Lafferty's characters and worlds, as with the novels based on Isaac Asimov's robots--with, of course, a suitable deal cut with Lafferty's estate. It's odd that Lafferty is such an untapped source, because he's simply a better writer than most of those behind films and TV today. This is an easy going science fiction yarn that you don't have to be a Lafferterian to devour. But it's better than some of the Keith Laumer and even Phillip Dick I've read, even though those were all pretty good. Lafferty's strong suite is story; but he also evokes some very visual settings; I can't watch Disney's Treasure Planet--Treasure Island in space--without wishing it were Annals of Klepsis.
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