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My Century
 
 

My Century (Paperback)

by Czeslaw Milosz (Foreword), Aleksander Wat (Author), Richard Lourie (Translator) "MILOSZ: My first glimmerings of political consciousness came, as you might imagine, in 1926, during Pilsudski's revolution ..." (more)
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From Library Journal

Published years after Wat's death, this remarkable transcription of his taped memoirs sears the imagination. Like Dostoyevsky and Solzhenitsyn, Wat records the life of a political prisoner with agonizing precision, texturing his recall with comic and compassionate portraits of his fellow prisoners and their guards. But Wat's genius lies beyond memorable evocation of place or even portraiture. His work is subtitled an "odyssey," and its true force transpires through the political and spiritual implications of his journeys among 13 Polish and Russian prisons during the 1930s and 1940s. Wat begins as a Communist and Jew and ends as an anti-Communist and Christian who still affirms his Jewishness. Above all, he defends his inner life against monstrous efforts to reduce it to time and trivia. Arthur Waldhorn, City Coll., CUNY
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


Product Description

In My Century the great Polish poet Aleksander Wat provides a spellbinding account of life in Eastern Europe in the midst of the terrible twentieth century. Based on interviews with Nobel Prize winner Czeslaw Milosz, My Century describes the artistic, sexual, and political experimentation --in which Wat was a major participant-- that followed the end of World War I: an explosion of talent and ideas which, he argues, in some ways helped to open the door to the destruction that the Nazis and Bolsheviks soon visited upon the world. But Wat's book is at heart a story of spiritual struggle and conversion. He tells of his separation during World War II from his wife and young son, of his confinement in the Soviet prison system, of the night when the sound of far-off laughter brought on a vision of "the devil in history." "It was then," Wat writes, "that I began to be a believer."

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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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4.0 out of 5 stars Keeping the Memory Green, Jan 29 2004
By X "Buce" (Palookaville) - See all my reviews
Andre Malraux wrote that only three books -- Robinson Crusoe, Don Quixote and The Idiot--retained their truth for those who had seen prisons and concentration camps (see: Les Noys de l'Altenburg (Paris 1948)). It's an odd remark--what did he mean, "seen"? Suffered in? Or watched newsreel footage on the History Channel? One cannot escape the conviction that Malraux is trying to hype the aroma of glamour around his own life.

But this is a distraction. The question is: I wonder what he thinks of the extraordinary array of "witness literature" from Europe beginning, perhaps, with Dostoevsky's "House of the Dead" and ending (one may hope?) with Solzhenitsyn's "Gulag Archipelago."

In this chorus, Aleksander Wat's "My Century" stands as a luminous example. Wat was a Pole: Jewish by background but at last a convert to Christianity. He was a poet and a "literary person" before and after World War II. Along the way, he spent time in 13 (or was it 14?) different prisons, all simply for being who he was."

His "memoir" is not precisely something he "wrote." Wat spent the year 1964-5 in Berkeley. There he fell in with Czeslaw Milosz, a great poet in his own right. Largely with the encouragement of Milosz, he "dictated" his story in a series of interviews which have been somewhat recast for this book. It's just as harrowing as you would expect it to be it has its uplifting side, driven by Wat's amazing inner resouurces: one thing about a good education, it gives you stuff to think about in Prison. And even at the worst, his sense of humor does not fail him. He recounts the story of the citizens of Bukhara, who surrendered to Ghengis Khan--only to have Ghengis Khan order their massacre. As Ghengis Khan explained to the elders:

"You must have sinned greatly against God if he sent Ghengis Khan down on you!"

Aside from Wat's own story, the NYRB edition includes an astonishing narrative by his wife, recounting a particularly dreadful chapter in her own prison years.

There is a promising-looking biography by Tomas Venclova, but I haven't read it. Wat died in 1967, I believe (though I can't seem to pin this down) a suicide.

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