From Amazon.co.uk
Written to include such elements as magic, witchcraft, superstition, sorcery, history, folklore and smuggling, Shadowmancer has become a book that simply cannot be ignored. Despite such fierce competition as JK Rowling's mighty bestseller
Harry Potter and the Order of the Phoenix, The Reverend Graham Taylor's debut children's novel has nevertheless garnered impressive media coverage.
At the heart of his story lies the classic battle between good and evil. On one side Taylor has painted one of the most despicable men possible--Obadiah Demurral, an 18th century vicar who preaches restraint and tolerance to his flock of god-fearing but misguided souls while all the time hiding the fact that he is a shadowmancer--a sorcerer who speaks to the dead--who commands these unfortunates to do his own bidding. For Demurral is intent on seeking to control the ultimate power in the universe. He doesn't want to worship God anymore, he wants to be God. And in the finest traditions of such stories, he will stop at nothing to achieve his dastardly goal.
Lined up against him, however, are some equally inventive good guys. Thomas Barrick, at 13, is the spunky almost-orphan who can intuitively see straight through Demurral's pious act and knows him to be evil to the core. Helping him is feisty tomboy Kate Coglan, Raphah--a mysterious African who has journeyed far to reclaim the precious symbols that Demurral is using for evil purpose, and Jacob Crane, a smuggler with a big grudge against the demented vicar.
The plot might wobble a little in places and the simmering religious overtones might get up a few people's noses, but Taylor's colourful cast is undoubtedly a triumph. The characters are larger than life, engaging, plentiful--and you'll care what happens to them. (For ages 10 and over) --John McLay
--This text refers to an alternate
Paperback
edition.
From School Library Journal
Grade 7 Up–The wild 18th century Yorkshire coast frames a dark suspenseful tale rife with mythic and religious symbolism in the audio version of the novel by G. P. Taylor (Putnam, 2004). Much darker than the Harry Potter tales, shallower and more explicitly religious than Tolkien, and never relieved by humor or whimsy, the tale is exceptionally well read by Graeme Malcolm. He dramatically and distinctly voices every character, complete with believable dialects and accents, and brings the horrible supernatural creatures to life. Two children, Kate and Thomas, are caught up with a mysterious stranger from Africa named Raphah who has come to Whitby to confront the evil Rev. Demurral who, by devious means, acquired a powerful religious artifact previously in Raphah's keeping. Tone and pitch, pacing and delivery, all combine in Malcolm's reading to impart a sinister tone through the dialogue of these diverse characters. He adds a marvelous dimension to the story as well as bringing an occasional warm vocal note of comfort and encouragement that would be easy to miss in the reading. The story is absorbing in its desperate efforts to save the world from the clutches of evil Demurral who turns out to be less threatening than the furies he has unwittingly unleashed. Imbued throughout with Christian imagery by many different names, the story proceeds to a classic good vs. evil climax. Almost unrelieved in its urgency and fearful happenings, teens will enjoy the adventure and suspense and should not be put off by the gothic darkness or religious references.–
Jane P. Fenn, Corning-Painted Post West High School, NY Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.