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Poor Folk
 
 

Poor Folk (Paperback)

by Fyodor M. Dostoevsky (Author) "Yesterday I was happy-inordinately, impossibly happy! ..." (more)
4.5 out of 5 stars  See all reviews (2 customer reviews)
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Poor Folk is an epistolary novel -- that is, a tale told as a series of letters between the characters. And oh, what characters these are! Makar Dievushkin Alexievitch is a copy writer, barely squeaking by; Barbara Dobroselova Alexievna works as a seamstress, and both face the sort of everyday humiliation society puts upon the poor. These are people respected by no one, not even by themselves. These are folks too poor, in their circumstances, to marry; the love between them is a chaste and proper thing, a love that brings some readers to tears. But it isn't maudlin, either; Fyodor Dostoevsky has something profound to say about these people and this circumstance. And he says it very well. When the book was first published a leading Russian literary critic of the day -- Belinsky -- prophesied that Dostoevsky would become a literary giant. It isn't hard to see how he came to that conclusion, and in hindsight, he was surely was correct.

From the Inside Flap

This is the first new translation of Dostoevsky's first novel since Constance Garnett's. Mr. Dessaix is not only more accurate than Garnett, but also makes an effort to deal with the sharply different styles in the epistolary novel in a consistent way. Dostoevsky made a point of saying that the style of the work was not his, but that of his letter writers--Devushkin and Varvara--and the reader will now be able to get some idea of these different styles. The translator's introduction focuses on the history of styles which Dostoevsky used in his very selfconsciously literary debut.

Written in 1845 and publised in 1846, Poor Folk is the natural beginning point for anyone who reads Dostoevsky. The novel occupies a position of particular interest and importance in both the history of Russian literature and Dostoevsky's work as a whole. Several lines of development in Russian prose intersect: sentimentalism, naturalism, the physiological sketch, and the phenomenon of Gogol, with whom Dostoevsky maintains a dialogue throughout the novel.

Robert Dessaix is the translator of The Mysterious Tales of Ivan Turgenev. He is Professor of Russian literature at the University of New South Wales.


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Yesterday I was happy-inordinately, impossibly happy! Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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4.0 out of 5 stars Star Crossed Lovers...Or Not, Jun 30 2003
By Molon Labe "Molon Labe" (Chesterfield, Missouri United States) - See all my reviews
As my introduction to Dostoyevsky, I chose his first novel, written at age 24, as the logical starting place. Poor Folk is a very compact, easy-to-read volume and is a fascinating work.

Dostoyevsky tantalizes the reader with his format. The entire book is a series of letters between 47 year-old Makar Alexievitch and the subject of his infatuation, a much younger Barbara Alexievna. As the two live within sight of each other and meet often, the letters leave an impression akin to that of seeing a series of snapshots from a movie rather than watching the entire production. Many details of their lives and particularly their pasts are alluded to but never fully divulged. The most powerful result is that the reader is left to grapple with the true nature of the relationship between the two fantastically poor correspondents.

The author does a wonderful job of relating the harsh reality of life in 19th-century St. Petersburg slums and the depersonalized, marginalized and tenuous existence of the working poor. This stark setting and the desperate circumstances of the protagonists provide the stage for one of the overarching themes of the book-the foundational source of self-esteem. When money, social stature and career success are completely lacking, is love from another the final refuge for salvaging a sense of self worth? To what lengths will one go to preserve this refuge and to where may one turn when abandoned by it are central questions weaved by Dostoyevsky.

The other subtle theme behind the story is the circumstances necessary for true character revelation. Irony abounds in Poor Folk, with Barbara's character being it primary vehicle. One might expect that harsh circumstances, bitter privation and abject poverty would shed the social covering to reveal one's disposition, but Barbara's unexpected financial good fortune reveals her true nature. Her reaction to sudden affluence reveals her relationship with Makar to have been driven wholly by a desperate need for a patron rather than genuine love and affection.

This is a great read and whets the appetite to tackle Dostoyevsky's more famous works.

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5.0 out of 5 stars An excellent intro to Dostoevsky: a glimpse into a poor soul, Nov 28 1999
By Igor Otshelnik (Erie, PA USA) - See all my reviews
"Poor Folk" is a brilliant piece, especially considering that it was written by a 22-year-old Dostoevsky. I don't know how he came up with such characters (none of them resemble himself, except, perhaps, Pokrovsky) or how such a young writer could possibly fathom the depths of the suffering souls he himself created. One will immediately sympathize with Makar Andreich Devushkin in his striving to please and serve his beloved Varenka and ... well I'd rather not tell you the end. The other heart-wrenching little story inside "Poor Folk" is Varenka writing about her past (it impressed me more than any other works by Dostoevsky, I have read almost all of them). Again, I won't go into details, but this very short story about Pokrovsky and his poor father will forever be embedded in my heart! I honestly couldn't contain my tears while reading it. It probably just reminded me so much of myself and my own father! But.. you will definitely enjoy the book and will become a better person, at least for a while! Also recommended: "C&P" and "The Brothers Karamazov" (both transalted by R.Pevear & L.Volokhonsky, NOT by C. Garnett!) by Dostoevsky and Lev Tolstoy's "Anna Karenina", "Master and Man", "Forged Coupon" and, of course, "War and Peace" (trnsl. by A. Maude or Leo Wiener, again, NOT by C. Garnett).
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