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From Amazon.com
Amy Tan begins The Opposite of Fate: A Book of Musings, a collection of essays that spans her literary career, on a humorous note; she is troubled that her life and novels have become the subject of a "Cliff’s Notes" abridgement. Reading the little yellow booklet, she discovers that her work is seen as complex and rich with symbolism. However, Tan assures her readers that she has no lofty, literary intentions in writing her novels--she writes for herself, and insists that the recurring patterns and themes that critics find in them are entirely their own making. This self-deprecating stance, coupled with Tan’s own clarification of her intentions, makes The Opposite of Fate feel like an extended, private conversation with the author.
Tan manages to find grace and frequent comedy in her sometimes painful life, and she takes great pleasure in being a celebrity. "Midlife Confidential" brings readers on tour with Tan and the rest of the leather-clad writers’ rock band, the Rock-Bottom Remainders. And "Angst and the Second Book" is a brutally honest, frequently hysterical reflection on Tan’s self-conscious attempts to follow the success of The Joy Luck Club.
In a collection so diverse and spanning such a long period of time, inevitably some of the pieces feel dated or repetitious. Yet, Tan comes off as a remarkably humble and sane woman, and the book works well both to fill in her biography and to clarify the boundaries between her life and her fiction. In her final, title essay, Tan juxtaposes her personal struggles against a persistent disease with the nation’s struggles against terrorism in the aftermath of 9/11. She declares her transformative, artistic power over tragedy, reflecting: "As a storyteller, I know that if I don’t like the ending, I can write a better one." --Patrick O’Kelley --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Tan's bestselling works of fiction are, in part, based on her own family history, and this robust book, her first nonfiction effort, explains much about where those stories came from and how they influenced her. The collection of "casual pieces" (previously published in such diverse venues as Harper's Bazaar, Ski Magazine, the New Yorker, Salon.com and even PW) covers Tan's childhood in California and Switzerland; her writing career; her relationships with her mother and her late editor, Faith Sale; and, most significantly, the role of fate in her life. Raised with "two pillars of beliefs" (Christian faith on her father's side; Chinese fate on her mother's), Tan finds luckboth good and badin all corners of her life. Ultimately, however, she knows "a higher power knows the next move and... we are at the mercy of that force." As she reflects on how things have happened in her 50-odd years, Tan's writing varies from poetic to prosaic. In an excerpt from a journal she kept during a 1990 trip to China, she eloquently describes Shanghai's streets: "Gray pants and white shirts are suspended from long bamboo poles that overhang the street. The laundry flaps in the wind like proletarian banners." But reading about Tan's adventures with her rock band, the Rock Bottom Remainders, feels a bit like reading someone else's high school yearbook's inside jokes, as she reminisces about truck-stop breakfasts and late-night sing-alongs. Still, this is a powerful collection that should enthrall readers of The Joy Luck Club and Tan's other novels. B&w photos.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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