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1 internautes sur 1 ont trouvé ce commentaire utile :
5.0étoiles sur 5
Everybody Counts . . . or Nobody Counts, Aoû 4 2008
If you haven't read the books that precede this one in the Harry Bosch series, I strongly urge you to stop reading this review and any others about The Last Coyote and go back to The Black Echo and work forward in order the books were published. You'll miss a lot of the character development that makes this such a special book unless you've seen a lot of Harry at work before he takes on this case while suspended for stress leave.
As this book opens, Harry is receiving "counseling" after attacking his superior officer. Harry finds this to be like listening to fingernail scratches on a chalkboard. He's also having house problems: His stilt-based house with a great view has been condemned by the city after the big earthquake. The earthquake also shook his girlfriend so much that she left town.
Frustrated that he can't work, Harry decides to take a look at the file on his mother's death. From there, he begins to work the case. It's a tremendous opportunity for readers to understand Harry's youthful years much better. As you might expect, not all things are as they seemed at the time of the murder. Uncovering the truth is difficult and painful. But in the end, justice is done.
One of the beauties of this book is how much it shows about a range of emotions and motives that people employ to look out for themselves. In a way, Harry is an aficionado of depravity, it's part of being human. It's just that he has to stop it when it goes too far . . . or arrange for justice when the eggs cannot be unscrambled any more.
I don't recall a more bittersweet story in this series. You'll be thinking at the end: What if?
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5.0étoiles sur 5
One of the best Bosch Novels, Oct. 16 2007
In the Last Coyote, Harry Bosch attempts to find his mother's killer. To compound matters, he has to do so as a civilian - a consequence of being suspended for assaulting his commanding officer. The novel keeps you guessing constantly with numerous twists. Connelly's narration effectively puts you in Harry's shoes, stirring up a whirlwind of emotions. A must read whether or not you are a Connelly/Bosch fan.
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5.0étoiles sur 5
Bosch's Mission Gets Personal !, Janv. 26 2007
"The Last Coyote" is Michael Connelly's fourth book, was first published in 1995 and features Harry Bosch as its central character. Something of Bosch's background has been covered in the previous three books. Bosch's mother was a prostitute who was murdered when he was twelve - he spent his teenage years in and out of youth halls. He enlisted in the army and served in Viet-Nam, before returning home and joining the police force. Once a member of the LAPD's elite Robbery-Homicide Division, Bosch currently works at the Hollywood Division's Homicide table. He's still a jazz-loving loner, seen by some as a maverick, with a taste for coffee, beer and cigarettes. There have been some changes in his life since the end of "The Concrete Blonde", though - his relationship with Sylvia Moore has finished and his house has been damaged in a recent earthquake. Despite the fact that it's been declared unfit for habitation, he's still unofficially living there.
As "The Last Coyote" opens, Bosch is in trouble with the department again. After his boss, the bureaucratic Harvey "98" Pounds, interfered with the questioning of a suspect, Bosch lost his temper and pushed Pounds head-first through an office window. As a result, he's been placed on involuntary stress leave and has to attend regular sessions with Dr Carmen Hinojos, a psychiatrist at Behaviorial Sciences Division. These sessions contribute to Bosch deciding to investigate the one case that really matters to him : his mother's murder. Although he's working on the case unofficially and has lost his badge - albeit temporarily - he still manages to pull the original case file. Opened in October 1961, it was investigated at the time by two detectives called Eno and McKittrick. Leaving aside the apparent lack of effort to solve the case, a few things seem odd to Harry. The mentions an interview with Johnny Fox - his mother's pimp, and therefore an obvious suspect. However, the file doesn't contain an interview summary. A passing reference to Arno Conklin also catches his eye. At the time, Conklin would have been one of the city's top prosecutors and subsequently became the city's DA. Although exactly what role he had is unclear, his involvement in the case seems curious. The only other person apparently interviewed was Meredith Roman - a 'colleague' and old friend of his mother's, who'd also worked for Johnny Fox. The starting point, Harry feels, is to track these people down - though cut off from the LAPD's resources, he has to be a little more creative than usual in how he achieves this. He starts by using a new contact at the LA Times, Keisha Russell, to gather some stories on Conklin and Fox. Based on what he's read, Harry adds Conklin's campaign manager, Gordon Mittel, to his list of suspects. For other police-related information, Harry isn't above 'borrowing' Harvey Pound's identity to acquire it. However, just because a case is over thirty years old doesn't mean the investigation will be safe - least of all when important people are involved.
As with Connelly's previous books, I found this to be a very enjoyable book - and it deals with the very case I had wondered about. It's probably better, though not strictly necessary, to read the books in order. The 'newcomer' won't feel left out, as this book covers enough of Bosch's past to tell the story without any gaps. However, reading the previous books and getting to know the 'full story' will add to the enjoyment of this instalment. The other books ("The Black Echo", "The Black Ice" and "The Concrete Blonde") are very enjoyable also - reading them will be anything other than a burden !
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