From Amazon.co.uk
Dan Rhodes' first book
Anthropology consists of 101 stories, each around 120 words in length, and all working highly surreal variations around a single theme: relationships. A simple enough idea which is superlatively executed--the range and inventiveness of the texts within the strict format reveal a writer of formidable imaginative powers, able to move with ease from wit to farcical comedy to genuinely heartfelt evocations of loss and love. Each story is almost like a condensed novel, a distilled narrative that focuses on a particular moment, gesture or conversation, humorously unravelling the fragile structures and barely disguised inequalities that characterise the détente between the sexes.
If the stories are individually quirky, bizarre and amusing, paradoxically the incremental effect is one that is surprisingly revealing of the deep, tectonic instabilities in our relationships with partners and lovers.
If the touchstone of Anthropology is, in the end, a kind of disbelieving laughter, it is emphatically not observational humour, nor the bittersweet angst of wry comedy that dominates much contemporary fiction: Rhodes highlights the essential absurdity of heterosexual relationships, the fundamental incomprehension and misunderstandings that divide men and women. The wayward commandments of desire, the desperate mismatches of affection, the hilarious disjunctions of perception, the disequilibria of power, all are scrutinised in turn by the author's cool, deadpan prose; and the superficial equivalence of form mimics the fact that, while relationships may seem similar on the surface, each is uniquely odd, perverse or disfunctional.
The structure of the book is reminiscent of Raymond Queneau's Exercises in Style, its tone occasionally recalls Donald Barthelme's elegant postmodern short fiction, but Anthropology nevertheless mines a seam distinctly its own: quirky, surreal, often wildly funny and cumulatively profound. --Burhan Tufail
From Publishers Weekly
An ingenious project in prose construction, Rhodes's book of short stories is composed of 101 tales, each containing exactly 101 words. The short-shorts boast an economy of language common to prose poems, or even sonnets, and the subject matter is love. The speaker appears to have a new girlfriend in each story. The women have names like Mazzy, Xanthe, Treasure, Foxglove or more commonly, "My girlfriend," and the adventures of the various lovers are alternately funny, goofy, clever and surreal, with an occasional drop of pathos for the speaker's oft-thwarted heart. Angelique drives the speaker to stick pins in his face, Paris is literally catatonic after her bike is stolen, Tortoiseshell is in jail, Celestia may just be a bunch of chemicals, Amber goes to the grocery store naked. The best pieces, the ones that feature comic, misunderstood dialogue between lovers, resemble poet Hal Sirowitz's humorous Mother Said, while other pieces are overly Brautigan inspired. Many of these feature a story line of the girlfriend who is so beautiful that the speaker feels sorry for her ex-boyfriends, but is also petrified at the possibility of becoming one of them. In spite of some less than sparkling entries, most of these little nuggets are fun, quirky and occasionally poetically lovely. They gather steam, increasing in violence, heartbreak and intensity as the book progresses. Like the French poetry movement OulipoAan experimental group whose projects included the writing of an entire novel without using the letter "e"ARhodes seems to have created a new, ostensibly senseless form that yields some true delights. (Sept.)
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