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In the late 1970s and early 1980s, T. M. Wright earned praise from critics for a series of ghost novels about isolated houses in upstate New York.
A Manhattan Ghost Story, first published in 1984, moved the action to New York City. And the tale is not about a single building, but about an all-pervasive layer of reality in which the shades of the living mark their days in a listless state, until finally they fall apart. A commercial photographer gets slowly pulled, while still living, over to the "other side"--a plight that leads to a profoundly unsettling and surreal chain of events. "And if you get stuck in that other city, that other Manhattan, you find yourself getting awfully desperate and mean-spirited, the way some people are affected by too much heat or the crying of small children."
Wright's ghosts are evocatively described, with their awkward movements and stares of "quiet, studied indifference." But be forewarned that A Manhattan Ghost Story, while justly celebrated, has a couple of minor flaws: a weak love story and slipshod editing that didn't catch place names that change partway through.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
Product Description
Do you see ghosts? Photographer Abner Cray arrives in Manhattan to begin work on an illustrated book of the city. However he finds that Art, the owner of the flat he is staying in, has gone missing, leaving behind a beguiling and sensuous young lady called Phyllis Pellaprat to whom he's instantly attracted. Soon Abner is deeply involved with Phyllis and is wholly unprepared for the revelation that Art is actually wanted for her murder - an event which took place some time earlier. When Phyllis disappears, Abner wanders the streets, and he sees what appear to be disaffected and strangly acting people everywhere - hailing taxis, selling puppies on street corners, pushing baby carriages, and he starts to suspect ... This classic novel was first published nearly twenty-five years ago: it's a hypnotic, spooky page-turner that is by turns a terrifying slide into madness and an effective love story. "T M Wright is a rare and blazing talent." Stephen King "Wright convincingly proves that he understands, as few do, how to give a scare without spilling blood all over the page." Publishers Weekly "T M Wright is the best ghost story writer alive today." American Fantasy Magazine