From Publishers Weekly
Reed will find lots of work in the audio whodunit world. She has a low, slightly gravelly voice that fits the genre well. She distinguishes characters without trying to be them and helps a wacky protagonist become a believable character. The gruesome story begins with the discovery of the bodies of six young girls who are bagged, tagged and shelved in an old underground chamber in the yard of an abandoned Boston insane asylum. Bobby Dodge (returning from Gardner's Alone) is called to the crime scene. Gardner offers up numerous plausible suspects, suspense and violence, and lots of requited and unrequited love. The book is longer than it needs to be, somewhat repetitive and has a hokey ending with a murderer who appears out of nowhere. But Hide is still an enjoyable thriller and a well-read listen.
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From AudioFile
Annabelle Granger spent her childhood on the run without ever knowing why. Years later, when six bodies are discovered on the grounds of an abandoned mental institution, a silver locket identifies one of the victims as . . . Annabelle Granger. A plot as intricately crafted as this one deserves a natural unfolding of events and motives. Unfortunately, in this abridgment there are too many passages of explication. The upside is a superior performance by Maggi-Meg Reed. Reed is expert at revealing every nuance and subtlety of character and plot. She makes the tense moments riveting. A smart director, an excellent story, and a winning performance almost make up for a clunky abridgment. S.J.H. © AudioFile 2007, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to an out of print or unavailable edition of this title.