The Midnight Choir: Amazon.ca: Gene Kerrigan: Books

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From Publishers Weekly

The current Irish economic and real estate boom forms the backdrop for the assured second novel from Irish journalist Kerrigan (after Little Criminals). Any smalltime hood with an entrepreneurial bent and a workable scam can quickly work himself into the ranks of the millionaires produced by the boom, forcing police departments all over the country to scramble to keep up. In Dublin, Det. Insp. Harry Synnot, a man with an acute sense of morality and justice, is working a rape and a jewelry store robbery, manipulating his snitch, Dixie Peyton, and being groomed for a job in the Serious Crime Department of Europol. Meanwhile in Galway, policeman Joe Mills is investigating a mysterious double murder, probably committed by a man he's just rescued from a rooftop suicide attempt. While much of the fun is in puzzling out unfamiliar words like "gurriers" and "gaff," it's Kerrigan's firm control of the procedural genre and the breathtaking twist he gives his plot that show him to be a master of the form. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Paperback edition.

From Booklist

The title of this crime novel might remind you of Joseph Wambaugh's I^ The Choirboys, but don't expect anything like that rambunctious, hard-hitting satire of cop life. Kerrigan's moody, unsettling tale explores the criminal underside of Dublin and, by extension, the dark, hidden face of twenty-first-century Ireland. The plot follows several stories: a woman tries to mug a pair of tourists with a syringe as her weapon; a man plans a jewelry heist; a gangster's life is torn apart by his brother's murder; a detective builds a case against an accused rapist. Kerrigan, a veteran journalist who lives in Dublin, presents his city as almost schizophrenic: on the one hand it's newly revitalized, refreshed, striding boldly into the future; on the other, just under the surface, it's seedy, falling apart, a throwback to a violent past. There is no attempt to reconcile these two very different Dublins; rather, Kerrigan makes the point that, despite cosmetic changes, the city has stayed pretty much the same. Gripping crime fiction in which the setting is unequivocally the protagonist. David Pitt
Copyright © American Library Association. All rights reserved --This text refers to the Paperback edition.

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