From Publishers Weekly
In 1984, Banks's first novel, The Wasp Factory, attained cult status in England for its accomplished yet brutal portrait of a serial killer. His newest novel (after Against a Dark Background) carries on that tradition by centering on a series of cruel, if poetically just, killings. The point of view shifts back and forth between that of the unnamed murderer, whose outrages are presented in the second person, and that of an Edinburgh-based journalist, Cameron Colley, who's tracking the killer and whose story is told in the first person. The police think that Colley, who models himself slavishly on "St. Hunter" (Hunter S. Thompson)-downing double whiskeys, smoking dope, speaking a gonzo slang and carrying on an S&M affair with a married woman- is the murderer. Certainly, Colley feels a certain admiration for that avenging angel, who tailors his punishments to fit his victims' supposed crimes, e.g., brutally raping a judge who once exhibited leniency to a rapist. Banks's handling of this volatile scenario is extremely graphic, sadistic-and rather obvious, though effective. He's a good enough writer to seduce readers into sharing not only Colley's admiration for the killer but also, through his use of the second person, the killer's relish in the act of murder: complicity, indeed.
Copyright 1994 Reed Business Information, Inc.
From Booklist
Although this remarkable novel will first strike readers as a burned-out journalist's distasteful account of his pathetically shallow and lonely life, it soon becomes clear that author Banks is just playing cat-and-mouse with his audience. Before long, we are mesmerized by Banks' violent and disturbing story about a latter-day avenger who's lost faith in the system's ability to punish wrongdoers. Cameron Colley, a Scottish journalist, is a disillusioned but likable cokehead who treats life--and the articles he writes for his Edinburgh newspaper--with cheerful disdain. While Cameron is blithely snorting coke, somewhere in Scotland a "self-styled avenger" is busy designing his own psychotically savage punishments for the judge who was overly lenient with a rapist, the pornographer who made one too many snuff films, and the amoral businessman whose negligence caused hundreds of deaths. All the obvious clues are leading the police to Colley, who swears he's been framed--but by whom? If he can just figure out who knows him well enough to set him up--and who among his acquaintances is clever enough and deranged enough to extract such terrible justice--maybe he can solve the mystery and get the police off his case. Dark, cynical, shocking, but immensely satisfying, this one's a must-have.
Emily Melton
de Katherine Dunn
de Iain Banks
de Joyce Oates
de Iain M. Banks
de Bernard Pomerance
