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Little Poems in Prose
  

Little Poems in Prose (Hardcover)

by Charles Baudelaire (Author), Aleister Crowley (Translator)
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

A full translation of Petits Poèmes en Prose in its first revised edition, illustrated with eight previously unpublished drawings by Crowley and a frontispiece of Baudelaire by Henri Matisse. It has been edited with a foreword by Martin P. Starr, and incorporates Crowley's annotations and revisions. This new edition is hardbound and printed on acid-free paper --This text refers to an out of print or unavailable edition of this title.


From the Author

No bolder task can possibly be undertaken than the translation of prose so musical, so subtle, so profound as that of Charles Baudelaire. For this task I have but the one qualification of a love so overmastering, so absorbing, that in spite of myself it claims for me a brotherhood with him.

Charles Baudelaire is incomparably the most divine, the most spiritually-minded, of all French thinkers. His hunger for the Infinite was so acute and so persistent that nothing earthly could content him even for a moment. He even made the mistake—if it be, after all, such a mistake!—of feeding on poison because he recognized the banality of food; of experimenting with death because he had tried life, and found it fail him. The thought of Baudelaire has thus been universally recognized as highly unsuitable for the suburbs, as incompatible with any view of life which advocates spiritual complacency, mental and physical contentment. His writings are indeed the deadliest poison for the idle, the optimistic, the overfed: they must fill every really human spirit with that intense and insufferable yearning which drives it forth into the wilderness, whence it can only return charioted by the horses of Apollo and the lions of Demeter, or where it must for ever wander tortured and cast out, uttering ever the hyaena cry of madness, and making its rare meal upon the carrion of the damned.-Aleister Crowley --This text refers to an out of print or unavailable edition of this title.


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4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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4.0 out of 5 stars highly unique, Sep 6 2003
Ce commentaire est de: Little Poems in Prose (Hardcover)
gorgeously dark words of magic and vision. Unlike anything else.
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5.0 out of 5 stars Onward Motion, Aug 29 2002
By A Customer
Ce commentaire est de: Little Poems in Prose (Hardcover)
Charles Baudelaire, in his Little Poems in Prose--at least in this translation, I may say--, speaks as if he were thrown into a wind of excitement and enthusiasm in one whirl of experience, and then, no sooner does he do so, that he is ready to move on, and experience something else.

I find thst this book is published no where else at this present time, than through the Teitan Press; Crowley has some poems in translation of Baudelaire in his Collected Works, but this present edition (Little Poems in Prose) is all in prose. Thus, it is contained no where else, as yet.

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5.0 out of 5 stars Exquisite Miniatures, Oct 3 2000
By A Customer
Ce commentaire est de: Little Poems in Prose (Hardcover)
Baudelaire's Petite Poèmes en prose was published posthumously in 1869 and was later, as intended by the author, entitled Le Spleen de Paris. Baudelaire did not live long enough to bring these poems together in a single volume, but it is clear from his correspondence that the work he envisaged was both a continuation of, and a radical departure from, Les Fleurs du mal.

Some of the texts may be regarded as authentic poems in prose, while others are closer to exquisite miniature prose narratives. The setting is primarily urban, with the focus on crowds and the suffering lives they contain: a broken-down street acrobat (Le Vieux Satimbanque), a hapless street trader (Le Mauvais Vitrier), the poor staring at the wealthy in their opulent cafés (Le Vieux des pauvres), the deranged (Mademoisele Bistouri) and the derelict (Assommons les pauvres!), and, in the final text (Les Bon Chiens), the pariah dogs that scurry and scavenge through the streets of Brussels.

Not only is the subject matter of the prose poems essentially urban, but the form itself, "musical but without rhythm and rhyme, both supple and staccato," is said to derive from "frequent contact with enormous cities, from the junction of their innumerable connections."

In its deliberate fragmentation and its merging of the lyrical with the sardonic, Le Spleen de Paris may be regarded as one of the earliest and most successful examples of a specifically urban writing, the textual equivalent of the city scenes of the Impressionists, embodying in its poetics of sudden and disorienting encounter that ambiguous "heroism of modern life" that Baudelaire celebrated in his art criticism.

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