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The Angel of the Opera: Sherlock Holmes Meets the Phantom of the Opera
 
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The Angel of the Opera: Sherlock Holmes Meets the Phantom of the Opera (Hardcover)

by Sam Siciliano (Author)
3.5 out of 5 stars  See all reviews (2 customer reviews)
Price: CDN$ 23.83 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Description

From Publishers Weekly

In 1890 Sherlock Holmes and his cousin Dr. Henry Vernier are summoned to France to rid the great Paris Opera House of an "opera ghost." Readers familiar with Gaston Leroux's story will be on safe ground in Siciliano's retelling. An elusive phantom threatens the management of the Opera with unnamed disasters unless he's paid "several thousand francs a month" and young and beautiful Christine Daae is cast as the lead in their productions. Under the tutelage of the "Angel of Music," a fearfully disfigured musician living in the cellars of the Opera house, Christine becomes the rage of the Paris Opera. Holmes is hired by both the theater's management and the pompous and immature Viscount de Chagny, who adores Christine, to remove the Phantom's threat to profits and love. Although Holmes does little but interact with the other characters, through him and Vernier, the author re-examines the relationship of goodness and beauty. Siciliano's tale, while not original, is wonderfully atmospheric and moves briskly.
Copyright 1994 Reed Business Information, Inc.


From Library Journal

When a beloved fictional character is given new life, it is a treat; when two fictional creations are successfully combined, it is a rare pleasure. In this lively yet respectful pastiche, the Phantom created by Gaston Leroux comes up against Arthur Conan Doyle's remarkable detective, who has been engaged by the managers of the Paris Opera to thwart the Phantom's blackmail scheme. Siciliano (Blood Feud, Windsor, 1993) has invented several memorable supporting characters, including a beautiful but nearly blind pianist and a Watson substitute whose patience with Holmes's eccentricities is only slightly greater than that of the good doctor. The story itself takes the elements of Leroux's romantic novel and preserves characters, plot, and setting, making the most of the many cellars and mysterious passages under the Opera itself. The tone is Holmesian to the last detail, with the reader swept along to a satisfying ending. A fine addition to the Holmes canon, a summertime winner, and, one hopes, the start of a series. [In Nicholas Meyer's The Canary Trainer, Prepub Alert, LJ 5/15/93, Holmes also encounters the Phantom of the Opera.-Ed.]-Elsa Pendleton, Boeing Computer Support Svcs., Ridgecrest, Cal.
--Elsa Pendleton, Boeing Computer Support Svcs., Ridgecrest, Cal.
Copyright 1994 Reed Business Information, Inc.

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2 Reviews
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Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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2.0 out of 5 stars Not worth paying for it - Disappointing, Sep 9 2005
By Raebee (Alberta, Canada) - See all my reviews
The concept of the novel was great, but it did not keep my interest. I am a devoted Phan, and I had to force myself to finish this book. The pages were filled with irrelevant description and dialogue that had nothing to do with the storyline, and served as filler to make the book long enough to publish. Watson is apparently estranged from Holmes, so Holmes takes his cousin on the trip to Paris. Told from his cousin's POV, his cousin randomly goes off topic, thinking about the woman he loves back home in England - this happens repeatedly throughout the book. There are also pages spent describing other irrelevant things, like what limelights are and how they work (which is facinating and all, but seemed like more "filler").

The character portrayals are way off. Christine is ditzy (moreso than she should be) and her character is very flat. The Persian is turned into an evil man, and Raoul is out of character as well. The ending is also terrible, and doesn't follow any closer to the original story than the rest of the book.

The author had a lot of potential to stay true to the Leroux novel, and still make this story work. I would not recommend spending the money on this book - borrow it from the library.

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5.0 out of 5 stars A fine story, Oct 20 2003
By A Customer
It has often been said that Gaston Leroux was confined by his genre and unable to properly explore the vast regions of a character that has more potential dimensions than, I'd wager, even he could anticipate. I tend to think that this is so with Sherlock Holmes as well. Arthur Conan Doyle's method of presenting his immortal character, in the voice of his long-time friend Dr. Watson, tends to make Holmes appear two-dimensional, in spite of Doyle's obvious storytelling ability. In this, Holmes shares a commonality with Erik, and, thus, they are a prefect match. For those of you who would dismiss this as some sort of silly Internet fanfiction you may put your doubts to rest. It is a remarkable book, well written and enjoyable.
However, in the interest of fairness I would like to voice a few warnings, for in bringing two great immortal characters together, there are some inevitable side effects.
First of all, those who explore this book as a fan of Erik's should know that this is more of a Sherlock Holmes story. He is the central character and it is told from the point of view of his cousin and companion. However, Erik's character is in no way diminished. The side effect is that everybody else gets diminished. Siciliano uses a common technique of storytellers who tackle immortal stories. Raoul, the Persian, and to a lesser degree, Christine, are all diminished to the level of base human vices. Not only that but Watson also suffers as his character is depicted as stuffy and secretly contentious with Holmes. Fortunately, however, these weaknesses, though at times annoying, can be justified as the symptoms of two such formidable personalities as Holmes and Erik coming together in a single story. They take the spotlight and everyone else gets pushed aside. Thus, in spite of all that, for sheer caliber of storytelling, I give this book five stars. It is a fantastic and ingenious spin on an idea that dates back to the 1960s. An idea that I am very glad to see in published form. As a fan of both Holmes and Erik I am very pleased.
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