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Lies & Ugliness
 
 

Lies & Ugliness (Paperback)

de John Picacio (Artist), Brian Hodge (Author) "For every turned cheek, a hand to stroke it; for every pursed mouth, another to kiss it; for every bared back, a whip to stripe..." En savoir plus
5.0étoiles sur 5  Voir tous les commentaires (1 évaluation de client)

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From Publishers Weekly

"It's only in our fears and dreams that anyone comes to know the real anyone else," says the narrator of "Some Other Me," a haunting speculation on the transformative power of unexpiated guilt. In these 21 stories written over the past decade, Hodge (Wild Horses; Falling Idols), one of the more articulate members of the younger generation of dark fantasists, applies his considerable talents to finding original embodiments of the fears and anxieties that define his soul-searching characters. In "Little Holocausts," a sensitive man's desire to avoid emotional hurt summons a supernatural surgeon to excise his compassionate soul. "Madame Babylon" presents the modern metropolis as a sentient entity whose repressed sexuality leers out through provocative billboard ads. Hodge's evocative prose "they made what passed for love, in a kind of energized mutual loathing" is how he describes estrangement in a couple's relationship and casual philosophizing add texture to these fanciful extrapolations and softening the impact of their sometimes visceral horrors. His quest for the appropriate metaphor to give shape to their disturbing subtexts isn't always successful, as in "Pages Stuck by a Bowie Knife to a Cheyenne Gallows," which saddles a bushwhacker in Civil War times with an affliction symbolic of the divided South that is more far-fetched than affecting. Still, readers will have to look far to find a more thoughtful and thought-provoking collection of dark fantasies. (Aug. 5) Forecast: Unlike most small horror presses that specialize in collector's editions, Night Shade offers an affordable simultaneous trade paperback. With luck it will boost sales and start a trend. Meanwhile, there's also a deluxe signed edition for $55, complete with bonus CD of music composed by the author.
Copyright 2002 Reed Business Information, Inc.


From Booklist

The 21 pieces in Hodge's absorbing third collection are love stories, mostly of the erotic type, leading one to expect, given the title, a pervasive cynicism. But they're horror stories, too, and so call for an air more credulous than cynical. For some of the protagonists are apparently immortal, others live beyond death, and still others are mysteriously fated. All experience or witness the impossible in insider exposes of contemporary Sadean orgies (e.g., "The 121st Day of Sodom"); eerie reports of psychological revenge (e.g., "Past Tense"); a grisly Civil War testimony ("Pages Stuck by a Bowie Knife to a Cheyenne Gallows"); a movie parody ("Dead Giveaway"); encounters with the Green Man, Grendel, and Vlad the Impaler; and initially normal scenarios that become creep shows. Since Hodge exploits sex less repulsively than other horror experimenters, manages the anti-Christianity in several stories with fashionable aplomb, and writes bright, sassy prose, suspending disbelief is usually a pleasure. Love stinks only literally in these pages. Ray Olson
Copyright © American Library Association. All rights reserved --Ce texte provient de la Hardcover édition.

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For every turned cheek, a hand to stroke it; for every pursed mouth, another to kiss it; for every bared back, a whip to stripe it... for every desire, fulfillment, and for every act of every kind, eyes to watch it. Lire la première page
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5.0étoiles sur 5 Stories for the Intelligent Reader, Nov. 11 2002
This is one of the best quality short story collections to be published in quite a while, as Hodge has once again delivered quality fiction for the intelligent reader.

This collection opens with the thought provoking "Madame Babylon", a story that immediately grabs the reader with a sexual taboo, yet reminds us that within everyone there is a bit of voyeur and exhibitionist. But Hodge doesn't stop there, like with every story in this collection, he takes the idea even further, explores a few deeper themes, themes that examine and question the very things we take for granted, and then wraps it all together in a way that leaves the reader fully identifying with the protagonist, which sometimes isn't a comfortable thought at all.

"Cancer Causes Rats" is another unique story in the collection. Part mystery, part thriller, part horror, this story will keep you guessing the outcome until then end, and that ending will leave you horrified. In this story, like many others, Hodge turns logic upside down and makes it still seem right, leaving the reader with thoughts and impressions afterwards that just can't be shaken.

Three stories in the middle of the book are set in the British Isles, and although he is a native of America, Hodge manages to capture the feel of Great Britain better than many British authors today. A line from the story "Cenotaph" sums it up best: "The thing about England was, you could scarcely throw a mossy stone without hitting something to remind you of how vastly _old_ the place was." "Far Flew the Boast of Him" is a story set in the shared-world setting of Hellboy, but Hodge tackles this in such a way that pre-knowledge of the shared-world is not required, yet he manages to contribute to the mythos in an insightful way not usually accomplished by other authors.

Leaving no genre untouched by his skills, Hodge includes a western in this collection. Not a fan of westerns myself, I expected this story to be my least favorite, and was pleasantly surprised. "Pages Stuck By a Bowie Knife to a Cheyenne Gallows" is one of the best stories of the collection. Offering more than just a typical western, Hodge pushes the boundaries of the genre in this story set in a splintered, anarchic Missouri during the Civil War.

The Endnotes offer the insatiable reader with wonderful little insights into the stories behind the stories. Where the fiction reveals Hodge's intelligence with small glimpses of his sense of humor, the Endnotes expose the author even more, leaving the reader with a warm sense of familiarity for Hodge.

Honestly, I don't know why this author isn't more widely recognized. Hodge has consistently published high quality fiction over the course of the past ten years or more, and yet remains absent from the average reader's vocabulary. With Lies and Ugliness, Hodge has delivered again. And although it has been said many times about many books, the fact remains true with this one: Those who do not read this collection will be missing out on wonderfully intelligent stories that leave long lasting impressions.

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