From School Library Journal
PreSchool-Grade 2--King Wilfred teaches his daughter the same knightly skills he has taught his three sons. Mocked by her brothers for being smaller and weaker, Violetta grows more determined to succeed. She creeps out at night to practice her sword fighting and horseback riding. With perseverance, the "nimble and quick" Princess becomes an expert jouster. In honor of her 16th birthday, the king announces a tournament with the victory prize being her hand in marriage. Outraged and appalled, Violetta cries: "You want
meto marry some dimwit in a tin suit? Just look at your own knights! They whip their horses and they can't even write their own names!" Taking matters into her own hands, she disguises herself in armor and poses as "Sir No-Name." After defeating the other contenders, she reveals her true identity and chooses her prize--independence. Meyer's ink-and-watercolor illustrations run across the pages in panels and were inspired by the Bayeux Tapestry. Children will pore over the medieval details. Pair this spirited tale with Robert Munsch's
The Paper Bag Princess (Turtleback, 1980) for a discussion of gender stereotypes.
--Linda Ludke, London Public Library, Ontario, Canada Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
From Booklist
*Starred Review* PreS-Gr. 2. The author of
The Thief Lord (2002) follows up her second novel,
Inkheart [BKL S 1 03], with a picture book that will instantly begin appearing on "Strong Girl Protagonist" book lists. Happily, this is so well done that it's likely to win over children who normally prefer their princesses without the revisionist twist. Raised by a widowed king, Princess Violetta is put through the same paces (swordplay, riding, jousting) as her older, brawnier brothers. Her practice pays off when her father holds a tournament--with Violetta as the grand prize--and she handily scuttles his plans. Bell translates Funke's story from the German with aplomb ("You want
me to marry some dimwit in a tin suit?"), and Meyer's effervescent line-and-watercolor artwork, as funny as it is lovely, stretches across each spread in horizontal strips--a droll homage to the Bayeux Tapestry. This jaunty parable offers children an endearing, indomitable character along with a lesson in girl power. For a gently feminist storytime, pair it with other tales of assertive princesses, such as that oldie but goodie, Robert Munsch's
The Paper Bag Princess (1980), or Katherine Paterson's
The King's Equal (1992), for somewhat older children. REVWR
Copyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.