From Publishers Weekly
Brite (
Lost Souls) and Faust (
Control Freak) combine tragedy, history, a touch of the supernatural, a bit of soap opera and, finally, hope in a surprisingly tender, if violent and sexually explicit trio of gracefully written, interwoven tales. In part one, set in 1937 Hong Kong, Ji Fung, who's in love with Lin Bai, the Peking Opera School's star pupil, kills the troupe's sadistic Master Lau, who's been raping Lin nightly. The boys flee and enter the decadent demimonde disguised as girls, eventually ending up in Shanghai at the outbreak of the Sino-Japanese War. In part two, set in 1945 Los Angeles, Ji Fung, now named Jimmy Lee, is attracted to female impersonator Victor See, who reminds him of Lin Bai, but Victor is a doubly lost soul as a Japanese-American pretending to be Chinese in Japan-hating wartime L.A. Meanwhile, butch detective novelist Nan Blake pursues a manipulative starlet who believes she's a man. Despite buckets of blood and the possibility of a vengeful ghost, the true horror lies in homophobia and anti-Asian bigotry. In the short final section, set in a relatively tolerant, present-day Hollywood, hunky martial artist Jake Ryan falls for a half-pearl of the orient, Miki, but it takes a ghost and a near-death-experience to get him out of the closet. If boy-boy or girl-girl isn't your cup of tea, then take a pass. But broad-minded genre fans won't find a better brew. FYI:
The first part of Triads
appeared originally in Douglas E. Winter's 1997 anthology, Revelations
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From Booklist
In 1937, two boys, lovers, escape the Peking Opera, only to find that life within it, though cruel, was also too sheltered to prepare them for the brutal streets of Hong Kong, on which they are nearly killed on their first night of freedom. Fortunately, a wealthy playboy rescues them, and they briefly enjoy luxury before the Japanese bomb China, dealing the lovers an unendurable blow. Cut to Hollywood in 1945; to Nan, a tough lesbian writer in love with a beautiful, straight starlet; and to a tragic, bloody murder. Why is that stuntman--the Chinese guy, Jimmy-- so intent on helping Nan? Finally, nearer the present, meet gorgeous, outrageously talented Jake Ryan, terrified that the studio will discover he is gay, who keeps seeing the ghost of an old Chinese guy. Brite and Faust's trio of bright, edgy, seemingly discrete stories are actually interwoven by red threads of passion and violence and the spirit of one quiet Chinese man.
Paula LuedtkeCopyright © American Library Association. All rights reserved
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
