From Publishers Weekly
Kushner's winning high fantasy with its sophisticated swordplay marks a welcome return to the romantic Riverside world she introduced in
Swordspoint (1987). Coming-of-age gets complicated for winsome Lady Katherine Samantha Campion Talbert after she's shipped off to her uncle, the Mad Duke of Tremontaine (aka David Alexander "Alec" Tielman Campion), who reigns over a decadent world of erotic and political intrigue. At first Kate's frightened of becoming a swashbuckler, but after training with the duke's favorite lover, the dashing Richard St. Vier, and becoming friends with Marcus, Alec's devoted young assistant, she finds she's more than up for the task. Her skills are tested in her effort to avenge the rape of her best friend, Lady Artemesia Fitz-Levy, by one of her uncle's foes, Anthony Deverin (aka Lord Ferris, Crescent Chancellor of the Council of Lords). Kate's discovery that "Fear is enemy to the sword" and love is the key to triumph leads to surprising consequences.
(Aug.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Paperback
edition.
From Booklist
The most recent Riverside story follows
Swordspoint (2003) in chronology and features many of its characters. Alec, Duke Tremontaine, aka the Mad Duke of Riverside, has sent for his impoverished young niece, Katherine. She and her family hope he'll make a good marriage for her, but the Mad Duke has decided to train her as a sword fighter. She is furious, and besides a swordmaster to train her, her uncle also springs what becomes her fall into society, without warning or training, on her. She learns the sword perforce out of self-defense and also, bit by bit, the city, the nobility, politics,
and her uncle. When Katherine is trained and entered into society with her weapon, she wades hip-deep into plots against her uncle and becomes the champion of a lady in distress, too. Plot and style here
are in the swashbuckling tradition of Dumas, but the characters are very real beneath their facades, people who bleed when they are cut, even when manners require that they make nothing of it.
Frieda MurrayCopyright © American Library Association. All rights reserved
--This text refers to the
Paperback
edition.
