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From Publishers Weekly
Set primarily in Los Angeles from the late 1960s through 1980s, this darkly funny, wise but flawed novel from Erickson (Arc d'X) focuses on our collective fascination with movies. Vikar Jerome, whose almost deranged film fixation manifests itself in the images of Elizabeth Taylor and Montgomery Clift tattooed on his bald head, wanders around Hollywood, where he gets mistaken for a perp in the Charles Manson murders and is robbed by a man who turns out to be a fellow film buff. After Vikar becomes a film editor, he's kidnapped by revolutionaries in Spain who want him to edit their propaganda film. Later, he wins a Cannes Film Festival award in France and receives an Oscar nomination, with strange consequences. Vikar repeatedly crosses paths with actress Soledad Palladin and her daughter, Zazi, though ambiguities in his relationship with this enigmatic pair, along with a recurring dream of his, derail this black comedy toward the end. The sudden point-of-view shift and possible supernatural element jar in an otherwise brilliant, often hilarious love song to film. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Book Description
Zeroville begins in 1969 on Hollywood Boulevard, when a Greyhound bus drops off a film-obsessed ex-seminarian with images of Elizabeth Taylor and Montgomery Clift tattooed on his head. Vikar Jerome steps into the vortex of a cultural transformation: rock 'n' roll, sex, drugs, and-far more important to him-the decline of the movie studios and the rise of the independent director. Jerome will become a film editor of astonishing vision. Then through encounters with former starlets, burglars, political guerillas, punk musicians, and veteran filmmakers, he discovers the astonishing secret that lies in every movie ever made.
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