From Publishers Weekly
A French academic hiding his collaborationist past resurrects himself in America in this misfired novella. Professor of literature at the Yale-like New Harbor, Léopold Sfax, the novella's wily, boorish narrator, has become a celebrity in literary America for espousing his capital-T Theory that words are far older and fickler and more experienced than the writers who... are 'using' them. When eager grad student Astrid Hunneker embarks on writing his biography, Sfax nervously pads his backstory, omitting the embarrassing parts that took place during WWII, when as a young man living in occupied Paris he was asked to contribute to a collaborationist magazine. Yet Sfax returns obsessively to this period, revealing that he pseudonymously wrote scores of Nazi hack work articles and was denounced in a traitor's gallery published by the Resistance in 1943. Adair skillfully constructs his protagonist's elaborate, circuitous justifications, and even introduces a mystery, though too late to keep afloat a narrative weighted down by the narrator's unceasingly haughty academic rhetoric.
(Aug.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
In a jet-black satire based on a real-life scandal, the leading writer in a school of literary criticism that says authors are meaningless-"dead"-is discovered to have been a Nazi.
Gilbert Adair is the author of Love and Death on Long Island and the screenplay for Bernardo Bertolucci's The Dreamers.
