Presenting Felix the Cat, Vol. 1 and 2

Now, at last, I find myself with a copy of Image Entertainment's DVD reissue of Bosko Video's just plain marvelous 2-hour compilation of silent Felix cartoons, mostly from 1922-1924, and entitled "Presenting Felix the Cat: the Otto Messmer Classics--1919-1924." I think Mr. Disney had good reason to feel insecure: the animator Otto Messmer must be one of the greatest unsung geniuses of cartooning--wild, endlessly inventive, not at all sentimental, artistically creative and unique.

I never thought much of Felix before: also in my childhood, I recall a bland, latter-day, watered-down version of the "Wonderful,Wonderful Cat," a Mickey Mouse-voiced little simpleton who was painfully nice to everyone. He carried some large gimmick bag around with him and giggled like an idiot constantly. Even worse, he even *sang* inane songs in an attempt to break up the tedium of his unimaginative cartoons. It really made for painful viewing!

Now, at last I see Felix in all his glory, in the days of silents, before the Mouse clobbered him commercially and Felix's production company couldn't successfully transition the poor cat to sound. He's everything you wouldn't expect him to be: a wise guy, somewhat mischievous but basically well intentioned, and a cat who takes no undeserved grief from anyone--man, mouse, or even ghost. While he started out in 1919 as a second or third banana character in something known as "The Paramount Magazine" weekly film short series that was distributed for free to theatres along with Paramount film
releases, he quickly eclipsed the other cartoons, graduated into his own features, and the rest were forgotten quickly.

The very best of the lot of the cartoons in this compilation, "Felix Turns the Tide," "Felix Lends a Hand," "Felix the Ghostbreaker," "Felix Revolts," "Felix in Hollywood," & "Felix Finds 'Em Fickle" show a strange, surreal world where literally anything can and will happen. In one, Felix bravely joins in a World War 1 1/2 between opposing armies of cats and mice, before commandeering a relief platoon of hot dogs to conquer the evil little rodents entrenched across No Man's Land. In another, Felix finds himself up against manic ghosts who turn off the lights in order to ambush him and who throw a whole squadron of cops the cat's called through the roof of a haunted farm house. Later, Felix tries to break into the pictures, but soon antagonizes Charlie Chaplin after the pilfering feline tries to swipe his routines. Next, after being maltreated by indifferent townspeople, Felix unionizes his fellow cats and encourages the mice to attack as the felines sit idly by! Finally, in a real triumph of clever cartoon design, Felix must stave off attacking bears, mountain lions and other beasts as he tries to retrieve wild flowers for a sexy lady cat who's giving him the cold shoulder. This cartoon really shows some of Messmer's strengths, as your eye gets fooled again and again. For example, at one point, Felix has reached the summit of the mountain, breathes a sigh of relief, then starts to pick the nearest flower. Two seconds later, he discovers he was grabbing the ear of a hostile bear who had been asleep behind the boulder from which the flower grew! One neat trick is how Felix will use the "emotives," the question marks, exclamation points and the like that pop up next to his head whenever he gets confused or excited, as ladders, weapons, or as tools! When he and a mouse "stare daggers" at each other in hate, they will inevitably
grab the daggers and commence a spirited sword battle...

Folks, this one's well worth your ten dollars and should open a whole new world of both cartoons and silent films up to you. In closing, I might also mention that the organ music accompaniment and sound effects by Dave Wickerham add considerably to the fun and thrills. This one definitely rates the full five stars, despite a few rough prints in the batch.

Aidez d'autres clients à trouver les commentaires les plus utiles   Ce commentaire vous a-t-il été utile ?

Signaler ce commentaire

What makes these Felix cartoons so interesting to watch is how they make the limitation of no sound into a plus. First timers may be initailly disorientated, but little by little the discovery of what made these animations work - and what keeps them working today - is the clever use of visuals and morphing of shapes. They work without sound, though the organ track definitely adds color. Try turning the sound off while watching nearly any contemporary cartoon and see how entertaining it is. In fact, don't try it; it isn't a great experience.

Another interesting facet of seeing silent animation is the discovery that animation (particuarily the short form) has not changed incredibly over the last century. You see jokes you've seen before, familiar themes, situations, and even familiar characterizations. The groundwork for a lot of twentieth century animation was laid pretty solid during the silent era. This collection can be appreciated both as animation itself and as history. Too bad Pat Sullivan gets all of the credit on the original reels.

When I show silent and early animation to friends, I almost always get the response "They don't make cartoons like this anymore."

That's a sad fact.

Aidez d'autres clients à trouver les commentaires les plus utiles   Ce commentaire vous a-t-il été utile ?

Signaler ce commentaire