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Outside the Law/Shadows
 
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Outside the Law/Shadows

Avec : Priscilla Dean, Wheeler Oakman Réalisateur : Tod Browning, Tom Forman MPAA Rating: UNRATED
4.0étoiles sur 5  Voir tous les commentaires (3 évaluations de client)
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Lon Chaney is not the star of Tod Browning's Outside the Law (the second of 10 pictures they made together), but he practically steals the film. Browning cast the man of a thousand faces in two roles, as the despicable gangster Black Mike ("a rat, a vulture, and a snake," according to the titles) and as the devoted Chinese servant to a Confucian Chinatown teacher. Priscilla Dean stars as Molly, the daughter of a San Francisco underworld leader lured back to a life of crime by Mike, who frames her father for murder and then plots to double-cross her as well. Hard-bitten kewpie doll Dean underplays her gangster-moll part beautifully, and Chaney's Mike is dastardly and dangerous, a sneering hard case with a scar running down his cheek. Browning pours on the syrup in the film's middle section as Molly's hard heart is slowly melted by her gangster lover and the cloyingly cute kid from next door. Then he twists it back from melodrama with an escalating series of taut confrontations that build to an exciting, well-staged climactic shootout. The Kino print, taken from the Blackhawk Collection, shows some serious deterioration near the end, but it clears up in time for the fireworks. The orchestral score is edited together from other music and enhanced with sound effects. --Sean Axmaker

Video Details

The masterful Lon Chaney stars in these two classic silent films. "Outside the Law" (1920, 75 min.) - In this early collaboration with director Tod Browning (Dracula, Freaks), Chaney delivers a dual performance of dramatic intensity, starring as Ah Wing, a kind-hearted student of Confucian philosophy, and Black Mike Sylva, a murderous rake of the San Francisco underworld. Like night and day, Ah Wing and Sylva are physical representations of the opposing factions of light and dark that weigh upon the moral conscience of the film's protagonist, Molly Madden (Priscilla Dean), who must choose between lives of crime and domesticity. "Shadows" (1922, 68 min.) - In one of the most challenging performances of his illustrious career, Chaney stars as a Chinese laundryman caught in a web of small-town jealousy and extortion. Both films features new orchestral scores.

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L'avis des consommateurs

3 évaluations
5 étoiles:    (0)
4 étoiles:
 (3)
3 étoiles:    (0)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
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4.0étoiles sur 5 (3 évaluations de client)
 
 
 
 
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1 internautes sur 1 ont trouvé ce commentaire utile :
4.0étoiles sur 5 Lon Chaney's silent film about Yen Sin, "The Heathen", Nov. 3 2003
Par Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - Voir tous mes commentaires
(TOP 10 REVIEWER)   
This review is from: Shadows (DVD)
Lon Chaney's performance in "Shadows" is really the only thing that makes this 1922 silent film worth preserving. Chaney plays Yen Sin, known as "The Heathen." Set in in the sea side fishing town of Urkey, the story focuses on Sympathy Gibbs (Marguerite De La Motte), who marries Daniel Gibbs (Walter Long), a violent seaman who supposedly dies at sea. She then marries the new parson, the Reverend John Malden (Harrison Ford). However, Sympathy has also caught the eye of the rich man in town, Nate Snow (John St. Polis). After the Maldens celebrate the birth of a daughter, the Reverend is told that his wife's first husband is still alive, and is blackmailed with the information, which leads him to reject his wife's bed.

Directed by Tom Forman (who would commit suicide in 1926 when suffering from an illness), "Shadows" was scripted by Hope Loring and Eve Unsell from the Wilbur Daniel Steele story, "Ching, Ching, Chinaman." Yen Sin is a Chinese laundryman, who came to town after he was washed ashore in the wake of the same shipwreck that killed Daniel Gibbs. Having put up with the prejudice of this community that prides itself on its Christian piety, he learns of the blackmail plot. The idea of the title is that he can no longer hide in the shadows, which puts him on a collision course with the ironically named Mr. Snow. The irony, of course, is that Yen Sin is the most Christian soul in Urkey. There is even a deathbed conversion just to set everything to rights in the end.

Chaney plays a relatively minor but pivotal role in the proceedings, which is rather odd given he is the star of "Shadows." His make up is pretty good, which is what you would expect from the legendary "Man of a Thousand Faces." This is not a classic Chaney film, being an overblown melodrama once you get away from Chaney's understated performance. If you are interested in getting beyond the obvious classic Chaney performances in "Phantom of the Opera" and "Hunchback of Notre Dame," then you should check out "Unholy 3," "The Unknown" or "He Who Gets Slapped" before you get around to second level Chaney films like "Shadows."

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4.0étoiles sur 5 A good value Lon Chaney double feature, Fév 27 2001
Par Mr Peter G George (Ellon, Aberdeenshire United Kingdom) - Voir tous mes commentaires
(TOP 1000 REVIEWER)    (REAL NAME)   
I have now seen 10 of Lon Chaney's films and I would say that they are nearly all enjoyable. The Phantom of the Opera and The Hunchback of Notre Dame are masterpieces, the rest vary in quality, but Chaney's varied performances always make them interesting. The two films on this DVD are relatively minor works. Strangely, the one by the more famous director Tod Browning, Outside the Law, is the lesser of the two. This is, in part, because it is not really a Chaney feature at all. He plays two roles, one a sympathetic Asian character, the other an evil criminal out to destroy the leading characters. This is the problem, for Chaney's supporting characters disappear for long stretches of the film. The main story is thus a rather dull affair about two somewhat colourless lovers trying to go straight and return the jewels they have stolen. The film only really comes alive with Chaney. The biggest difficulty with this film however, is the print quality. It is a black and white print which, for the most part is fine, but towards the end there is some serious damage, so much so that at times the picture all but disappears. There are furthermore some frames missing so that sometimes the story jumps rather abruptly. The second film on this DVD, Shadows, is much better. The story is interesting and keeps the viewer guessing, so it is best not to read any synopses before hand. Chaney has a major role as a Chinese laundry man and shows how he could contort his body and face into a role. Some people might have a problem with the titles attempting to imitate his speech patterns. But it must be remembered that it was typical of silent films to try to portray visually the differences in the way people speak. The same happens, in other films, with French or Cockney characters and was not considered to be derogatory. The print of this film is fine. It is a sepia tinted and for the most part free from damage. Again there are a few frames missing, but these do not affect the story continuity. I would recommend this DVD for Shadows alone, the fact that it includes Outside the Law as well makes it good value indeed.
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4.0étoiles sur 5 Chaney Shines In Another Groundbreaking Role, Avril 3 1999
This review is from: Shadows (VHS Tape)
This film packs more of a punch than I assume it did when it was first released. In the film, Lon Chaney plays a Chinese laundry man, who literally washes ashore during a violent storm. The (mostly white) community at first looks upon this outsider with distrust, but eventually somes to see the error of their ways. Of note: this is the FIRST portrayal of a Chinese character in a favorable role in Hollywood history. They were previously shown as opium smoking layabouts, dealing in white slavery. Lon had to fight the studio, who thought the public wouldn't accept this!
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