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Con Pno 3/5
  

Con Pno 3/5 [Import]

~ Ludwig van Beethoven (Composer), New York Philharmonic (Performer), Rudolf Serkin (Performer)
4.0 out of 5 stars  See all reviews (1 customer review)
Price: CDN$ 9.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Details


1. Piano Concerto No. 3 In C Minor, Op. 37: I. Allegro con brio
2. Piano Concerto No. 3 In C Minor, Op. 37: II. Largo
3. Piano Concerto No. 3 In C Minor, Op. 37: III. Rondo. Allegro
4. Piano Concerto No. 5 In E-Flat Major, Op. 73 'Emperor': I. Allegro
5. Piano Concerto No. 5 In E-Flat Major, Op. 73 'Emperor': II. Adagio un poco moto
6. Piano Concerto No. 5 In E-Flat Major, Op. 73 'Emperor': III. Rondo. Allegro

On this CD:
  1. Piano Concerto No. 3 in C minor, Op. 37
    Composed by Ludwig van Beethoven
    with New York Philharmonic, Rudolf Serkin

  2. Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73
    Composed by Ludwig van Beethoven
    with New York Philharmonic, Rudolf Serkin


Product Description

Product Description

There are two kinds of collaboration possible between conductor and soloist. The first kind happens when both completely agree about the way the music ought to go because they share the same approach. The second type features two artists of very different temperament, and it's more dangerous but also potentially more exciting. The danger arises when the two performers fail to agree on anything, and each goes his own merry way. But when they really stimulate each other a new sort of musical fusion results, and then just listen to the sparks fly! That's exactly what happens here. Bernstein's passionate immediacy of response seems to feed onSerkin's disciplined severity, and the result is Beethoven for the record books. Let it rip! --David Hurwitz

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4.0 out of 5 stars At Least He Was Never Dull, April 23 2004
By Robert M. Ingold (East Lansing, Michigan) - See all my reviews
Great as he was, Berstein did have his flaws. As clearly displayed by the performances on this cd, he ocassionally was guilty of what I can only describe as an excess of enthusiasm. The expansive fifth concerto withstands the onslaught, but the more restrained classicism of the third is almost smothered by it. Thus, if you are looking for an exciting performance of the fifth, plunge ahead. If, however, you are, like me, primarily interested in the third, hold out for something more appropriate.

Perhaps some day the Gary Graffman / Chicago Symphony recording of the third will be released on cd. It comes as close to perfection as anything I have ever heard.

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