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Debut
 
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Debut

~ Pablo de Sarasate (Composer), Edward Elgar (Composer), Aram Khachaturian (Composer), Fritz Kreisler (Composer), Niccolo Paganini (Composer), et al.
4.5 out of 5 stars  See all reviews (2 customer reviews)
Price: CDN$ 19.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Details


1. Allegro Moderato
2. Moderato
3. Lento Assai
4. Allegro Moderato
5. Moderato
6. Salyt d'Amour, Op 12
7. Capriccieuse, Op. 17
8. Sabre Dance [from "Gayne"]
9. Tempo Di Minuetto in the Style of Pugnani
10. Caprice No. 1 in E, Op.1
11. Caprice No. 15 in E Minor, Op.1
12. Nocturne No. 20 in C Sharp Minor, Op. Post
13. Prelude No. 10 in C Sharp Minor, Op. 34
14. Prelude No. 15 in de, Op. 34
15. It Ain't Necessarily So
16. Consolation No. 3 in D Flat
17. Melody in E Flat, Op. 42, No. 3
18. March [From "Love for Three Oranges"]

On this CD:
  1. Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op 25
    Composed by Pablo de Sarasate
    with Sarah Chang, Sandra Rivers

  2. Salut d'amour for piano or orchestra, Op. 12
    Composed by Edward Elgar
    with Sarah Chang, Sandra Rivers

  3. La Capricieuse for violin & piano, Op.17
    Composed by Edward Elgar
    with Sarah Chang, Sandra Rivers

  4. Unknown Work Sabre Dance
    Composed by Aram Khachaturian
    with Sarah Chang, Sandra Rivers

  5. Tempo Di Menuetto in the Style of Pugnani for violin & piano
    Composed by Fritz Kreisler
    with Sarah Chang, Sandra Rivers

  6. Caprices (24) for violin solo, Op. 1 (MS 25) Caprice No.1 in E, Op.1
    Composed by Niccolo Paganini
    with Sarah Chang, Sandra Rivers

  7. Caprices (24) for violin solo, Op. 1 (MS 25) Caprice No.15 in E minor, Op.1
    Composed by Niccolo Paganini
    with Sarah Chang, Sandra Rivers

  8. Nocturne for piano No. 20 in C sharp minor ("Reminiscence") B. 49
    Composed by Fryderyk Chopin
    with Sarah Chang, Sandra Rivers

  9. Preludes (24), for piano, Op. 34 Prelude No.10 in C sharp minor, Op.34
    Composed by Dmitry Shostakovich
    with Sarah Chang, Sandra Rivers

  10. Preludes (24), for piano, Op. 34 Prelude No.15 in D, Op.34
    Composed by Dmitry Shostakovich
    with Sarah Chang, Sandra Rivers

  11. Porgy and Bess, opera It Ain't Necessarily So
    Composed by George Gershwin
    with Sarah Chang, Sandra Rivers

  12. Consolations (6), for piano, S. 172 (LW A111b) No 3 in D flat
    Composed by Franz Liszt
    with Sarah Chang, Sandra Rivers

  13. Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42 Melody in E flat, Op.42 No.3
    Composed by Pyotr Il'yich Tchaikovsky
    with Sarah Chang, Sandra Rivers

  14. The Love for Three Oranges, suite for orchestra, Op. 33 bis March
    Composed by Sergey Prokofiev
    with Sarah Chang, Sandra Rivers


Product Description

From Amazon.com

This miraculous recital was Chang's debut recording, made when she was nine years old. In Sarasate's Carmen Fantasy you can hear some very minor flaws in the technique, which were gone when I heard her play it two years later. There's nothing else to indicate that this is a young violinist, not even the tone Chang draws from a quarter-size violin. While none of these pieces is very heavy in musical content, she shows a wide range of sympathies, from the singing lyricism of Chopin to a very hip-sounding "It Ain't Necessarily So" from Gershwin's Porgy and Bess. --Leslie Gerber

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Customer Reviews

2 Reviews
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 (1)
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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5.0 out of 5 stars Sarah Chang -- unparalleled even at 9!, Jan 20 2001
What can I say that does not smack of praise for this debut album by one of the most gifted young violinists ever of the millennium?

The one thing that I find lacking in most violinists' playing is ... fire. Oh, of course, techincal ability ranks high on the list but one has to agree that most of the prodigial virtuosi we've heard so far have most of that particular area of playing down-pat. Chang certainly has the lightning-quick fingers required for virtually all of the songs she plays here, but as the Amazon.com review states -- she also plays with a good deal of _bite_. The deciding pieces are, in no particular order: Sarasate's very famous miniatures from Carmen, the Sabre Dance from Gayane (wonderfully played, with the tempo bright and fast-moving), Gershwin's It Ain't Necessarily So (when I first heard this track, I was in heaven! What jazzy playing for one so young! The violin literally sings and swoons in her capable hands), and Prokofiev's March from The Love of Three Oranges. The last piece, compared to Midori's version (which can be found on her "Encore!" CD), I feel, is better performed -- the speed and spear-driven flashes of the bow are just right. Midori overperforms on a song that's supposed to be a march.

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4.0 out of 5 stars Interesting historical document, Jan 6 1999
Immaculate technique, remarkably good tone for a quarter-sized violin, and wonderful musicality for a nine-year-old. Of course, she still has some room for improvement artistically.

Her interpretation of Gershwin's "It ain't necessarily so" is the most sensuous (almost lascivious!) one I've ever heard--such abundant, luscious, provocative slides! Nonetheless, I love it!

This disc is an interesting historical document: hear how well a nine-year-old human can play. No other violinist in history ever recorded at such a young age.

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