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Norma-Comp Opera
 
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Norma-Comp Opera [Import]

~ Vincenzo Bellini (Composer), Tullio Serafin (Conductor), Maria Callas (Performer), Mario Filippeschi (Performer)
3.9 out of 5 stars  See all reviews (42 customer reviews)
Price: CDN$ 47.99 & this item ships for FREE with Super Saver Shipping. Details
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Product Details


Disc: 1
1. Norma: Sinfonia - Orchestra E Coro Del Teatro Alla Scala
2. Norma: Act One, Scene One: Ite sul colle...Dell'aura tua profetica - Orchestra E Coro Del Teatro Alla Scala
3. Norma: Scene One: Svanir le voci ! - Orchestra E Coro Del Teatro Alla Scala
4. Norma: Scene One: Meco all'altar di Venere - Orchestra E Coro Del Teatro Alla Scala
5. Norma: Scene One: Odi?...I suoi riti a compiere - Orchestra E Coro Del Teatro Alla Scala
6. Norma: Scene One: Me protegge, me difende - Orchestra E Coro Del Teatro Alla Scala
See all 15 tracks on this disc
Disc: 2
1. Norma: Scene Two: Vanne, e li cela entrambi - Vincenzo Bellini
2. Norma: Scene Two: Adalgisa!...Alma, costanza - Vincenzo Bellini
3. Norma: Scene Two: Oh, rimembranza - Vincenzo Bellini
4. Norma: Scene Two: Ah si, fa core, abbracciami - Vincenzo Bellini
5. Norma: Scene Two: Ma di'...l'amato giovine? - Vincenzo Bellini
6. Norma: Scene Two: Oh, di qual sei tu vittima - Vincenzo Bellini
See all 8 tracks on this disc
Disc: 3
1. Norma: Act Two, Scene One: Introduzione - Vincenzo Bellini
2. Norma: Scene One: Dormono entrambi! - Vincenzo Bellini
3. Norma: Scene One: Ol ! Clotilde! - Vincenzo Bellini
4. Norma: Scene One: Mi chiami, o Norma? - Vincenzo Bellini
5. Norma: Scene One: Deh! con te, con te li prendi - Vincenzo Bellini
6. Norma: Scene One: Mira, o Norma - Vincenzo Bellini
See all 21 tracks on this disc


Product Description

From Amazon.co.uk

A recording of Norma is essential for any Maria Callas collection. This intense and musically demanding drama deals with forbidden love, infidelity, conflicting emotions, and death that comes almost as a relief from overwrought passion. It gives Callas golden opportunities for characterisation and dramatic gestures in her timing, vocal coloration, verbal and dynamic emphases. Of the half-dozen or more perennially on the market, the first choice is this one, dating from 1954 when her voice was in relatively good shape (although the 1960 EMI recording, also conducted by Tullio Serafin, had even better acting and, in Christa Ludwig, a much better supporting cast). Callas is essential to those who enjoy opera primarily as theatre. The singing is vivid, if typically uneven, and reinforced by Serafin's expert conducting. --Joe McLellan


Amazon.com essential recording

A recording of Norma is essential for any Maria Callas collection. This intense and musically demanding drama deals with forbidden love, infidelity, conflicting emotions, and death that comes almost as a relief from overwrought passion. It gives Callas golden opportunities for characterization and dramatic gestures in her timing, vocal coloration, verbal and dynamic emphases. Of the half-dozen or more perennially on the market, the first choice is this one, dating from 1954 when her voice was in relatively good shape (although the 1960 EMI recording, also conducted by Tullio Serafin, had even better acting and, in Christa Ludwig, a much better supporting cast). Callas is essential to those who enjoy opera primarily as theatre. The singing is vivid, if typically uneven, and reinforced by Serafin's expert conducting. --Joe McLellan

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Customer Reviews

42 Reviews
5 star:
 (26)
4 star:
 (4)
3 star:
 (2)
2 star:
 (3)
1 star:
 (7)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (42 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
5.0 out of 5 stars Breathtaking, Jun 9 2004
By A Customer
The perfect Norma from the greatest singer in the world! Brava La Divina!
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5.0 out of 5 stars Absolutely stunning, May 12 2004
There are two commercial recordings of Norma featuring Callas. This one is the earlier version with her on the peak of her vocal powers. Nothing is too hard for the queen of bel canto here. As Bellini visionized Norma for Pasta she delivers the ultimate studio-performance of this tormented heroine, outshining all the other Normas after her. Only Ponselle's Norma can be mentioned in the same breath with her. Buy this one for the vocal finish and the version from 1960 for the most sublime, most feminine Norma ever!
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5.0 out of 5 stars A precious Norma!!, Feb 20 2004
Callas in her blazing prime, Stignani at her mature best and Serafin who beats all other Bellini-conductors hands down! A dream-team that has never been surpassed. How funny that several of those nasty reviewers say that this is a live-recording... This proves that they haven't even listened to it because it's a studio-recording, the sound is excellent. And those "retired" or "Young" operasingers may want to reveal their names so everyone will see that they write such crap because of envy for Callas' illustrious career and critical acclaim. This isn't Amazon's pick for nothing. Callas remains the greatest Norma to this day.
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Most recent customer reviews

5.0 out of 5 stars The Norma of the century!
I've done a project which consisted interviewing opera-experts in 13 countries, it contained the question "Which Norma springs to mind immediately? Read more
Published on Feb 14 2004 by Estelle

5.0 out of 5 stars Love Her or Hate Her -- You Can't Be Indifferent
I had a wonderful time reading through the 38 previous reviews, as they reflect everything I've heard about Callas in the nearly 40 years I have enjoyed opera as my favorite... Read more
Published on Aug 18 2003 by Michael L Stephens

5.0 out of 5 stars Must Have Recording
This is one of the great opera recordings. Callas IS Norma. Her performance is breathtaking - portamento, trills, coloratura - all seamlessly integrated into the character. Read more
Published on Jul 30 2003 by Scott Jelsey

3.0 out of 5 stars Haassenpfeffer, stop your bashing now, I have your list
Stop your bashing of you know who. I have reasons to believe you are doing it. I also have your profile and your list of your favorite reviews. Read more
Published on Jul 29 2003

1.0 out of 5 stars She should have sung Clotilda instead
Norma demands a flawless vocal technique, perfect breath control. unlimited power especially in the upper register and a beautiful voice. All these, Callas doesn't have. Read more
Published on Jul 21 2003

1.0 out of 5 stars Callas, why are you ruining Bellini?
Bellini is beautiful. Why are you ruining his bel canto beauty by shouting and screaming and ignoring the lovely lines and coloratura. Read more
Published on Jul 21 2003

5.0 out of 5 stars La Divina Indeed
Maria Callas was and still is the greatest protagonist of Norma PERIOD. To those who hate her so much, here's something for you....

FACTS
1. Read more

Published on Jul 5 2003 by julius

2.0 out of 5 stars you all are missing the point
This Norma is not as good as the Caballe/Vickers, Sutherland/Horne, and Deutekom/Troyanos, and even the Sutherland/Caballe one. Read more
Published on May 26 2003

5.0 out of 5 stars Five stars for Maria Callas' Norma
This recording is NOT my favourite recording of Norma, that would be the GLORIOUS recording from La Scala (1955) with Callas, Simionato, del Monaco, Votto. Read more
Published on Nov 19 2001 by Emma de Soleil

5.0 out of 5 stars This Norma is Great!
Opera is about passion or should be. Without it I'd rather be seeing and watching something else. This Norma is a perfect example of the best that opera has to offer. Read more
Published on April 21 2001

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