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Sonnambula-Comp Opera
 
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Sonnambula-Comp Opera

~ Vincenzo Bellini (Composer), La Scala Theater Orchestra (Orchestra), Maria Callas (Performer), Fiorenza Cossotto (Performer), Nicola Monti (Performer), et al.
4.1 out of 5 stars  See all reviews (7 customer reviews)
Price: CDN$ 36.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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11 new from CDN$ 29.09 2 used from CDN$ 68.98

Product Details


Disc: 1
1. Viva! Viva Anima!...Tutto E Gioia, Tutto E Festa
2. In Elvezia Non V'Ha Rosa
3. Care Compagne
4. Come Per Me Sereno...Sempre, O Felice Amina
5. Sovra Il Sen La Man Mi Posa
6. Il Piu Di Tutti, O Amina
7. Perdona, O Mia Diletta
8. Prendi: L'Anel Ti Dono
9. Scritti Nel Ciel Gia Sono...Ah! Vorrei Trovar Parole
10. Domani, Appena Aggiorni
See all 23 tracks on this disc
Disc: 2
1. Qui La Selva E Piu Folta Ed Ombrosa
2. Reggimi, O Buona Madre
3. Vedi, O Madre...E Afflitto E Mesto
4. Viva Il Conte!
5. Ah! Perche Non Posso Odiarti
6. E Fia Pur Vero, Elvino
7. Signor Conte, Agli Occhi Miei
8. Signor?...Che Creder Deggio?
9. Oh! Se Una Volta Sola
10. Ah! Non Credea Mirarti
See all 12 tracks on this disc


Product Description

From Amazon.com

You can hear the vocal troubles of Maria Callas's later years just beginning to appear in this 1957 recording. Callas is usually identified with larger-than-life tragic heroines quite different from the simple bride-to-be Amina, whose wedding plans are nearly destroyed by her sleepwalking into compromising situations. But she makes the melodramatic plot emotionally credible, and she rises to the challenges of Bellini's expressively elaborate writing. --Joe McLellan


Chronique amazon.fr

Cet opéra en deux actes, au livret de Felice Romani, a été créé au théâtre Carcano, à Milan, en 1831. L'action se passe dans un village suisse au début du XIXe siècle. La pureté de la mélodie et la grande richesse du lyrisme, en dépit de la relative faiblesse de l'orchestration, ont fait le durable succès de deux des opéras de Vincenzo Bellini : La Norma et La Somnambule. Ce dernier, enregistré ici sous la direction d'Antonino Votto, a retenu notre attention. --Lina Patch

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Customer Reviews

7 Reviews
5 star:
 (4)
4 star:
 (2)
3 star:    (0)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (7 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
5.0 out of 5 stars WOW, Jun 8 2004
By A Customer
This was my first La Sonnambula and I love it!!! Callas sounds lovely and the rest of the cast is great too! Highly reccommended!
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4.0 out of 5 stars My review, Feb 15 2003
By V. Chau (San Diego, CA) - See all my reviews
(REAL NAME)   
I haven't listened to this recording yet. However, I am giving Callas the benefit of the doubt by giving this recording four stars. I would like to clear up some things. Sutherland had a huge voice. So did Callas. To say that Sutherland had a Wagnerian-sized voice while ignoring the size of Callas' voice in order to criticize Sutherland is very vindictive and misinformed. Also, it is not Sutherland's fault that her voice was even through all scales and all registers. I happen to like a voice with such evenness. Please do your research before writing your critical reviews and try to be fair in your assessment of great singers like Sutherland.
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5.0 out of 5 stars Tuneful, lyrical, gorgeous, Sep 2 2002
By A Customer
This is one of the opera CDs I pull out most often. If you don't know Callas except in her dramatic roles, you've got a pleasant surprise in store; her voice here is light and unfailingly beautiful. The tenor is easy on the ears too, and their duets are sublime. Great "easy listening" opera.
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Most recent customer reviews

5.0 out of 5 stars Callas-more than a chirping bird
I love this Sonnambula.....The reason? Callas! Callas was born to sing such stuff. Her agilita, her trills and coloratura are mesmerizing.... The timing, the pacing....WOW! Read more
Published on Mar 12 2002 by Emma de Soleil

5.0 out of 5 stars unfortunate to read the other reviews
there are only two reviews here and none are particularly encouraging. one reviewer cannot believe that callas, one of the formost belcantists of the last century, had "the... Read more
Published on Feb 27 2001 by daniel vasquez

1.0 out of 5 stars subzero
i can't believe she has the nerve to sing this. Screaming as if she was being attacked.
Published on Feb 23 2001

4.0 out of 5 stars Callas the only reason for this.
Call is always a persuasive performer, and it is well worth hearing her tackle this role. That being said, in this recording the score is cut to ribbons & the tenor is almost... Read more
Published on Aug 6 1999

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