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Puccini: Madama Butterfly
 
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Puccini: Madama Butterfly [Import]

~ Giacomo Puccini (Composer), Sir John Barbirolli (Conductor), Gianni Lazzari (Conductor), Rome Opera Orchestra & Chorus (Orchestra), Carlo Bergonzi (Performer), et al.
4.8étoiles sur 5  Voir tous les commentaires (10 évaluations de client)

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Les détails du produit


Disque : 1
1. Madama Butterfly: Atto Primo: E soffitto...e pareti... (Pinkerton, Goro)
2. Madama Butterfly: Atto Primo: Questa e la cameriera (Goro, Pinkerton, Suzuki, Sharpless)
3. Madama Butterfly: Atto Primo: Dovunque al mondo (Pinkerton, Sharpless, Goro)
4. Madama Butterfly: Atto Primo: Quale smania vi prende! (Sharpless, Pinkerton, Coro, Goro)
5. Madama Butterfly: Atto Primo: Quanto cielo!...Ancora un passo or via (Coro, Butterfly, Sharpless)
6. Madama Butterfly: Atto Primo: Gran ventura (Butterfly, Coro, Pinkerton, Sharpless, Goro)
7. Madama Butterfly: Atto Primo: L'Imperial Commissario (Goro, Pinkerton, Coro, Butterfly, Sharpless)
8. Madama Butterfly: Atto Primo: Vieni, amor mio! (Pinkerton, Butterfly, Goro)
9. Madama Butterfly: Atto Primo: Ieri son salita tutta sola (Butterfly, Goro, Coro, Sharpless, Pinkerton)
10. Madama Butterfly: Atto Primo: Ed eccoci in famiglia (Pinkerton, Coro, Butterfly, Goro, Suzuki)
Voyez toutes les 17 plages de ce disque
Disque : 2
1. Madama Butterfly: Atto Secondo: A voi pero giurerei fede costante (Sharpless, Goro, Butterfly)
2. Madama Butterfly: Atto Secondo: Ora a noi
3. Madama Butterfly: Atto Secondo: E questo? e questo? (Sharpless, Butterfly)
4. Madama Butterfly: Atto Secondo: Che tua madre dovra (Butterfly)
5. Madama Butterfly: Atto Secondo: Io scendo al piano (Sharpless, Butterfly)
6. Madama Butterfly: Atto Secondo: Vespa! Rospo maledetto! (Suzuki, Butterfly, Goro)
7. Madama Butterfly: Atto Secondo: Una nave da guerra...
8. Madama Butterfly: Atto Secondo: Scuoti quella fronda di ciliegio
9. Madama Butterfly: Atto Secondo: Or vienmi ad adornar (Suzuki, Butterfly)
10. Madama Butterfly: Atto Secondo: Coro a bocca chiusa, Humming Chorus, Summ-chor, Choeur a bouche fermee
Voyez toutes les 19 plages de ce disque


Descriptions du produit

From Amazon.co.uk

With her highly placed, lyrical sound, Madama Butterfly was really a role Renata Scotto should never have sung; indeed, it was just this type of heavy role that shortened the beautiful-tone days of her career. But we're fortunate that she did undertake the part: Her searing insights and her tragic transformation from innocent girl to all-knowing woman are so touching, so right, that Scotto is, arguably, the best all-around Butterfly on disc. What's more, this set catches her in excellent voice, long before the role had taken its toll. Butterfly is Puccini's saddest heroine, and Scotto will bring tears to your eyes. She is partnered here by the elegant Carlo Bergonzi, also in fine voice, and if he doesn't quite capture Pinkerton's swagger, he certainly does romance his new girl-bride to perfection. Sir John Barbirolli allows the score to unfold with uncommon beauty, and the remainder of the cast is very fine as well. But this is Scotto's show--as it should be--and she'll break your heart. --Robert Levine

 

L'avis des consommateurs

10 évaluations
5 étoiles:
 (8)
4 étoiles:
 (2)
3 étoiles:    (0)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
Évaluation du client type
4.8étoiles sur 5 (10 évaluations de client)
 
 
 
 
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Commentaires client les plus utiles

 
4.0étoiles sur 5 Better Than I Expected, Jui 18 2002
Par Un client
I put off buying this recording for years because Scotto is not a spinto, and in my opinion "Butterfly" is badly served by a lyric in the title role because a lyric can't do justice to the music. Scotto, however, is in excellent voice here---attractive tone, no wobble, wide range---and she is able to passably sing the crescendos without forcing her voice too much. Furthermore, she brings a real theatrical intensity to her performance. Barbirolli really shapes the phrases and moves things along, creating very involving drama. Bergonzi, as always, is in great voice, singing with much feeling, style and absolutely flawless technique.

I've heard several "Butterfly" recordings, and this one takes a close second to my absolute favorite, the Tebaldi/Bergonzi/Serafin, but beats out the Price/Tucker/Leinsdorf, which is popular with critics but is somewhat lamely conducted, I think.

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5.0étoiles sur 5 Renata Scotto is THE MADAMA BUTTERFLY!, Mai 14 2002
Par patrick graham (staten island, new york USA) - Voir tous mes commentaires
Not often do I write a review for a C.D., but this recording deserved one. I was never really fond of the music in Madama Butterfly, but this recording absolutely changed my mind. I really feel that this is the best Butterfly on disc to date. Renata is truly charming. It's as if the role was written for her. Her final scene will bring tears to your eyes. She really does steal the show. Every opera lover should own a copy of this C.D.
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5.0étoiles sur 5 A Definitive Recording, Juil 28 2001
Madama Butterfly has been one of my favorite operas since I was very young and this recording was among the first that I heard. Of course, I will admit that there have been better sopranos in this role such as Renata Tebaldi or Maria Callas, but Renata Scotto is one of the best and this recording is definitely the finest that she has made during her recording career. In this recording she is supported by Carlo Bergonzi, who is one of the greatest stlylists in opera, as well as by Rolando Panerai, whose Sharpless is without doubt one of his best recordings. It must also be said that this was one of Sir John Barbirolli's only two opera recordings. Barbirolli made this Butterfly toward the end of his long career during which he was a champion of many composers including Elgar. His masterful interpretation is without equal in my opinion. He allows the singers to shine in their respective roles and also allows the chorus to do one "Humming Chorus" that has brought me to tears time and time again. A wonderful recording.
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Commentaires client les plus récents

5.0étoiles sur 5 SUPERIOR RECORDING OF CLASSIC TRAGEDY.
While adoring TOSCA and LA BOHEME for many years, I could never warm to MADAMA BUTTERFLY. But after purchasing this recording, I discovered that the fault may not have been all... Read more
Publié le Jui 28 2000 par RALPH PETERS

4.0étoiles sur 5 Butterfly in trouble
The mayor drawback of this recording, which otherwise has a lot of great qualities, is Renata Scotto in the title role. Read more
Publié le Jui 7 2000 par Carsten Stampe Jorgensen

5.0étoiles sur 5 Heart Breaking!
I have never been so moved. I have many fine recordings of Butterfly -- Tebaldi, Price, De Los Angelis -- yet none have moved me as this one. Read more
Publié le Janv. 26 2000 par Gapare Pacchierrotti

5.0étoiles sur 5 Yes, absolutely, the greatest Butterfly.
This recording has classic status and wins hands down over the stiff competition. Renata Scotto, a natural Lucia, perhaps was not meant by nature to sing Cio-Cio-San, but by sheer... Read more
Publié le Déc 11 1999 par J. Luis Juarez Echenique

5.0étoiles sur 5 Greatest
Some may prefer other voices, or not like some of these, but this has stood the test of time for me for being one of the all-time most satisfying complete opera albums ever... Read more
Publié le Sep 2 1999

5.0étoiles sur 5 The Deffinitive Madama Butterfly!
Amid all the recorings of this Puccini gem floating around, this is a priceless saphire. All of the elements are here; Renata Scotto in her absolute prime, Sir John... Read more
Publié le Fév 8 1999

5.0étoiles sur 5 A great recording!
Renata Scotto, a born "Lucia", perhaps was not a natural Butterfly. It just happens that she sings the role better than anyone else. Read more
Publié le Fév 5 1999

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