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Appear & Inspire
 
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Appear & Inspire

~ Benjamin Britten (Composer), Claude Debussy (Composer), Maurice Ravel (Composer), Robert Shaw (Conductor), Robert Shaw Festival Singers (Orchestra), et al.
4.9étoiles sur 5  Voir tous les commentaires (9 évaluations de client)

Offert par ces vendeurs.


13 neufs à partir de CDN$ 12.80 3 d'occasion à partir de CDN$ 10.95

Les détails du produit
1. I. In A Garden Shady
2. II. I Cannot Grow;
3. III. O Ear Whose Creatures Cannot Wish To Fall
4. I. Dieu! Qu'il La Fait Bon Regarder!
5. II. Quant J'ai Ouy Le Tabourin
6. III. Yver, Vous N'estes Qu'un Villain
7. I. Nicolette
8. II. Trois Beaux Oiseaux Du Paradis
9. III. Ronde
10. I. De Grandes Cuillers De Neige
11. II. La Bonne Neige
12. III. Bois Meurtri
13. IV. La Nuit, Le Froid, La Solitude
14. I. La Nuit En Mer
15. II. La Complainte Des Ames
16. III. Soir D'ete
17. I. I Hate And I Love
18. II. Let Us Live, My Clodia, And Let Us Love
19. III. Greetings, Miss, With Nose Not Small
20. IV. My Woman Says She Will Be No One's
Voyez toutes les 24 plages de ce disque
Sur ce CD :
  1. Hymn to St. Cecilia, for chorus, Op. 27 In A Garden Shady
    Composé par Benjamin Britten
    Joué par Robert Shaw Festival Singers
    avec Christine Goerke, Matthew Pittman, Leonard Ratzlaff
    Dirigé par Robert Shaw

  2. Hymn to St. Cecilia, for chorus, Op. 27 I Cannot Grow
    Composé par Benjamin Britten
    Joué par Robert Shaw Festival Singers
    avec Christine Goerke, Matthew Pittman, Leonard Ratzlaff
    Dirigé par Robert Shaw

  3. Hymn to St. Cecilia, for chorus, Op. 27 O Ear Whose Creatures Cannot Wish To Fall
    Composé par Benjamin Britten
    Joué par Robert Shaw Festival Singers
    avec Christine Goerke, Matthew Pittman, Leonard Ratzlaff
    Dirigé par Robert Shaw

  4. Chansons de Charles d'Orléans (3), song cycle for mixed choir, L. 92 Dieu! Qu'il La Fait Bon Regarder!
    Composé par Claude Debussy
    Joué par Robert Shaw Festival Singers
    avec Charles Bruffy, Pam Elrod, Julie McCoy, Leonard Ratzlaff

  5. Chansons de Charles d'Orléans (3), song cycle for mixed choir, L. 92 Quant J'ai Our Le Tabourin
    Composé par Claude Debussy
    Joué par Robert Shaw Festival Singers
    avec Charles Bruffy, Pam Elrod, Julie McCoy, Leonard Ratzlaff

  6. Chansons de Charles d'Orléans (3), song cycle for mixed choir, L. 92 Yver, Vous N'estes Qu'un Villain
    Composé par Claude Debussy
    Joué par Robert Shaw Festival Singers
    avec Charles Bruffy, Pam Elrod, Julie McCoy, Leonard Ratzlaff

  7. Trois chansons, for mixed choir (or solo voice & piano) Nicolette
    Composé par Maurice Ravel
    Joué par Robert Shaw Festival Singers
    Dirigé par Robert Shaw

  8. Trois chansons, for mixed choir (or solo voice & piano) Trois Beaux Oiseaux Du Paradis
    Composé par Maurice Ravel
    Joué par Robert Shaw Festival Singers
    Dirigé par Robert Shaw

  9. Trois chansons, for mixed choir (or solo voice & piano) Ronde
    Composé par Maurice Ravel
    Joué par Robert Shaw Festival Singers
    Dirigé par Robert Shaw

  10. Un Soir de neige, chamber cantata for 6 voices (or chorus)
    Composé par Francis Poulenc
    Joué par Robert Shaw Festival Singers
    Dirigé par Robert Shaw

  11. Chansons Bretonnes (3) La Nuit En Bretonnes
    Composé par Henk Badings
    Joué par Robert Shaw Festival Singers
    Dirigé par Robert Shaw

  12. Chansons Bretonnes (3) La Complainte des Ames
    Composé par Henk Badings
    Joué par Robert Shaw Festival Singers
    Dirigé par Robert Shaw

  13. Chansons Bretonnes (3) Soir D'été
    Composé par Henk Badings
    Joué par Robert Shaw Festival Singers
    Dirigé par Robert Shaw

  14. I Hate and I Love, song cycle for chorus & percussion
    Composé par Dominick Argento
    Joué par Robert Shaw Festival Singers
    Dirigé par Robert Shaw

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L'avis des consommateurs

9 évaluations
5 étoiles:
 (8)
4 étoiles:
 (1)
3 étoiles:    (0)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
Évaluation du client type
4.9étoiles sur 5 (9 évaluations de client)
 
 
 
 
Partagez votre opinion avec les autres clients:
Commentaires client les plus utiles

 
5.0étoiles sur 5 Ethereal, Mai 24 2003
Par John Prothero "jakethejeep" (Garden Grove, CA United States) - Voir tous mes commentaires
(REAL NAME)   
Upon his retirement from the Atlanta Symphony (actually before he retired), Robert Shaw concentrated on and did recordings of more intimate music with his Festival Singers and the Quercy Institute. Most of these are gems to be cherished (his Schubert for Male Chorus is wonderful!) And other than the Rachmaninov Vespers, I would have to highly recommend this recording simply for the Britten "Hymn to St. Cecilia". This is a truly beautiful and intimate work by Britten that has usually been best served by British choirs. But this recording has warmth, clarity, precise diction and intonation, and movement. As with many scores that Shaw interpreted, he pulls out small things that bring the score to life. The "Hymn..." breathes and moves, and the singers keep up to the demanding tempo in the 2nd movement without a hitch. This is a brilliant piece of music that Shaw and his singers bring to glorious life. I was also impressed with the music of Henk Badings, whom I had never heard of before. And the choral music of Ravel and Debussy (who knew they wrote choral music?) is given equally tender readings. Other than the Vespers and the Schubert, this is a Shaw recording to have and listen to and enjoy.
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5.0étoiles sur 5 Ethereal, Mai 24 2003
Par John Prothero "jakethejeep" (Garden Grove, CA United States) - Voir tous mes commentaires
(REAL NAME)   
Upon his retirement from the Atlanta Symphony (actually before he retired), Robert Shaw concentrated on and did recordings of more intimate music with his Festival Singers and the Quercy Institute. Most of these are gems to be cherished (his Schubert for Male Chorus is wonderful!) And other than the Rachmaninov Vespers, I would have to highly recommend this recording simply for the Britten "Hymn to St. Cecilia". This is a truly beautiful and intimate work by Britten that has usually been best served by British choirs. But this recording has warmth, clarity, precise diction and intonation, and movement. As with many scores that Shaw interpreted, he pulls out small things that bring the score to life. The "Hymn..." breathes and moves, and the singers keep up to the demanding tempo in the 2nd movement without a hitch. This is a brilliant piece of music that Shaw and his singers bring to glorious life. I was also impressed with the music of Henk Badings, whom I had never heard of before. And the choral music of Ravel and Debussy (who knew they wrote choral music?) is given equally tender readings. Other than the Vespers and the Schubert, this is a Shaw recording to have and listen to and enjoy.
Ce commentaire vous a-t-il été utile ? Oui Non (Signaler ce commentaire)



 
5.0étoiles sur 5 Ethereal, Mai 24 2003
Par John Prothero "jakethejeep" (Garden Grove, CA United States) - Voir tous mes commentaires
(REAL NAME)   
Upon his retirement from the Atlanta Symphony (actually before he retired), Robert Shaw concentrated on and did recordings of more intimate music with his Festival Singers and the Quercy Institute. Most of these are gems to be cherished (his Schubert for Male Chorus is wonderful!) And other than the Rachmaninov Vespers, I would have to highly recommend this recording simply for the Britten "Hymn to St. Cecilia". This is a truly beautiful and intimate work by Britten that has usually been best served by British choirs. But this recording has warmth, clarity, precise diction and intonation, and movement. As with many scores that Shaw interpreted, he pulls out small things that bring the score to life. The "Hymn..." breathes and moves, and the singers keep up to the demanding tempo in the 2nd movement without a hitch. This is a brilliant piece of music that Shaw and his singers bring to glorious life. I was also impressed with the music of Henk Badings, whom I had never heard of before. And the choral music of Ravel and Debussy (who knew they wrote choral music?) is given equally tender readings. Other than the Vespers and the Schubert, this is a Shaw recording to have and listen to and enjoy.
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 		 Commentaires client les plus récents

5.0étoiles sur 5 Ethereal
Upon his retirement from the Atlanta Symphony (actually before he retired), Robert Shaw concentrated on and did recordings of more intimate music with his Festival Singers and the... Read more
Publié le Mai 24 2003 par John Prothero

5.0étoiles sur 5 Ethereal
Upon his retirement from the Atlanta Symphony (actually before he retired), Robert Shaw concentrated on and did recordings of more intimate music with his Festival Singers and the... Read more
Publié le Mai 24 2003 par John Prothero

5.0étoiles sur 5 Ethereal
Upon his retirement from the Atlanta Symphony (actually before he retired), Robert Shaw concentrated on and did recordings of more intimate music with his Festival Singers and the... Read more
Publié le Mai 24 2003 par John Prothero

5.0étoiles sur 5 Ethereal
Upon his retirement from the Atlanta Symphony (actually before he retired), Robert Shaw concentrated on and did recordings of more intimate music with his Festival Singers and the... Read more
Publié le Mai 24 2003 par John Prothero

4.0étoiles sur 5 A obligatory listen for all choir nerds
In the course of my rather extensive study of the "Hymn to St. Cecilia" this summer, I searched for various recordings of the piece and came across this album along the... Read more
Publié le Aoû 20 2001 par Gabrielle Dietrich

5.0étoiles sur 5 Excellent sampling of 20th century choral music
For choral fans, any disc conducted by Robert Shaw is self-recommending, since he always cultivated a carefully controlled yet expressive sound. Read more
Publié le Juil 15 1999

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