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The Art Of Fugue; Musical Offering
 
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The Art Of Fugue; Musical Offering

~ Johann Sebastian Bach (Composer), Neville Marriner (Conductor), Academy of St. Martin-in-the-Fields (Orchestra), Neil Black (Performer), John Gray (Performer), et al.
3.4 out of 5 stars  See all reviews (8 customer reviews)

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Product Details


Disc: 1
1. The Art of Fugue, BWV 1080: Contrapunctus 1
2. The Art of Fugue, BWV 1080: Contrapunctus 2
3. The Art of Fugue, BWV 1080: Contrapunctus 3
4. The Art of Fugue, BWV 1080: Contrapunctus 4
5. The Art of Fugue, BWV 1080: Canon alla Ottava
6. The Art of Fugue, BWV 1080: Contrapunctus 5
7. The Art of Fugue, BWV 1080: Contrapunctus 6, a 4, im Stile francese
8. The Art of Fugue, BWV 1080: Canon alla Decima, Contrapuncto alla Terza
9. The Art of Fugue, BWV 1080: Contrapunctus 7, a 4, per Augmentationem et Diminutionem
10. The Art of Fugue, BWV 1080: Contrapunctus 8, a 3
See all 18 tracks on this disc
Disc: 2
1. The Art of Fugue, BWV 1080: Contrapunctus 13, a 3 (inversus)
2. The Art of Fugue, BWV 1080: Contrapunctus 12, a 4 (inversus)
3. The Art of Fugue, BWV 1080: Alio modo Fuga a 2 Clav.
4. The Art of Fugue, BWV 1080: Fuga a 3 Soggetti (unfinished)
5. Musical Offering, BWV 1079: Ricercar 1 (a 3)
6. Musical Offering, BWV 1079: Canon perpetuus super Thema Regium
7. Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 1 a 2 (Canon cancricans)
8. Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 2 a 2 violini in unisono
9. Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 3 a 2 per motum contrarium
10. Musical Offering, BWV 1079: Canones diversi super Thema Regium: Canon 5 a 2 (Canon circularis per tonos)
See all 20 tracks on this disc


Product Description

From Amazon.co.uk

There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece", which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work an essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments. --David Hurwitz


Amazon.com essential recording

There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece," which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work and essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments. --David Hurwitz

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Customer Reviews

8 Reviews
5 star:
 (2)
4 star:
 (2)
3 star:
 (2)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.4 out of 5 stars (8 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
3.0 out of 5 stars LIKE A TEXTBOOK --VERY INFORMED-NOT BAD, BUT A LITTLE DRY, May 29 2003
By Dorian Lopez (North Bergen, NJ USA) - See all my reviews
(REAL NAME)   
This cd is best for those of us who are unfamiliar with Bach's music and want to get to know these two works and buy an affordable cd at the same time. As a general introduction it is great and very educational--the art of fugue is played on various instruments to drive home the fact that the music was never scored for specific instruments. Each contrapunctus is given a decent and fair showing.

Marriner however seems to be most comfortable when he is conducting lighter, airier stuff like Mozart divertimentos (some of the best mozart around is conducted my marriner in my opinion) Bach is a little above him i think.You can tell that he has deep respect for this music by the way he handles it--but i think he has trouble finding the soul or emotion of this music. Put another way he demonstrates masterfully the intellectual side of Bach, but fails at capturing the emotion and feeling of Bach. And dont tell me that there is no emotion to Bach's music--because i know better having heard some of his other pieces.

To be fair though it should be said that The Art of Fugue and to some extent the Musical Offering are two of Bach's most abstract and "conceptual" works so it is no wonder that one might have trouble capturing all its dimensions on cd. I have difficulty sitting through this cd (although i have done it several times) at times the performance comes off as being a little dry and rote--almost as if one was playing an exercise or an etude rather than a work proper. It is best in small pieces. The fugal nature of the piece can at times make one think one is hearing the same thing over and over due to the slower tempo and conducting style of Marriner. In reality however there are many different things going on in each fugue despite the fact that they are all based on one theme. Close listening to the cd helps to develop a sensitive ear as you try try to distinguish what is going on in each fugue that sets it apart from the others (analysis).

As a final word, this cd is not bad-it s a good showing, but its definitely not the best perf either.In my opinion-this cd is best heard in small chunks. Its great if you want an introduction to this work, its great if you want to save money. Its great if you like your bach simple-- except for two harpsichords it doesnt use period instruments--but it does use period performance (no vibrato, small ensemble) Its also great if you like to "dissect" your Bach as you hear it and see the analytical side to this music. If however you would like to hear the emotional side to these very intellectual and somewhat abstract pieces try the Munchinger. Also do not miss the Stardust Quartet interpretation on recorders--it sounds as if it were a totally different piece--very airy and beautiful rather than heavy and concrete.

In general i would say if you dont know these two pieces by Bach start with this and once you feel comfortable and familiar with the piece check out some of the other interpretations and see how they differ and which you like best.

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2.0 out of 5 stars Pointless, Feb 20 2003
First I want to quote this from the liner notes: " Features of the 1751 print suggest that, insofar as performance was part of the design, Bach thought of the Art of the Fugue as being for keyboard, but it is extremely unlikely that he would have envisaged a complete performance of such a long work in an instrumental monochrome and centered on a single tonality(D minor)"
Well I'm really happy to inform you all that the work sounds perfect on keyboard (as the superb perfomances by Leonhardt on harpsichord and Marie-Claire Alain on organ well demonstrate), and it definitely does not work with Neville Marriner's orchestration. What is the point of hearing one contrapunctus performed on two harpsichords, the next one with strings and winds, and then again the next one on organ?? Is it supposed to make the sound less monochrome? less "boring"? I mean this is not an Offenbach overture or something, is someone trying to make it more "entertaining"? To me it sounds plain stupid.

If you want to here these works performed decently, go to the ones mentioned above( Julliard has also a nice performance on string quartet; Leonhardt is wonderful for the Offering); if you are looking for some entertaining music budget priced, Das Kunst der Fuge is a VERY wrong choice.

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5.0 out of 5 stars Height of Composition Skill, Dec 4 2002
By rodboomboom (Dearborn, Michigan United States) - See all my reviews
(TOP 1000 REVIEWER)   
Contrapuntal Master shows his stuff with this masterful offering from Sir Neville and his Academy of St. Martin.

He demonstrates repeatedly his ability to not only express extremely difficult compositions to play, but at the same time delightful sounds to captivate the listener.

Especially attractive is Contrapunctus 4, and all that have the organ.

The Musical Offering of history fame is well presented here, with fine harpsichord, finished off by a grand riercar.

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Most recent customer reviews

4.0 out of 5 stars Only the tape quality keeps this from a '5'
This CD set comes from some tapes recorded during the '70s, and the audiophile will quickly hear this. In spite of this hiccup, the depth of the performances are striking. Read more
Published on Sep 21 2001 by Mark Lee

5.0 out of 5 stars A great recording of masterworks.
I realize I'm in the distinct minority here, but I think this is a fantastic recording of the Art of Fugue and the Musical Offering. Read more
Published on May 23 2001 by Chris Massa

3.0 out of 5 stars Not the best option, but...
I think Marriner and the Academy are best suited for other types of pieces. Mozart, Haydn, these are the kinds of composers that seem more appropiate. Read more
Published on Dec 27 2000

1.0 out of 5 stars A Sleeping Death March
Once upon a time, I had a 33rpm vinyl done by I've no idea who. It was at a speedy tempo, one JSB would have loved. A very bright and cheery piece. Read more
Published on Dec 10 2000 by Ronald Davis

4.0 out of 5 stars An early masterpiece of the baroque revival
It was the music on this disc -- originally available as separate boxed sets of vinyl records -- along with ASMF's Brandenburgs that really sparked my interest in barque music in... Read more
Published on Jan 18 2000 by M. Friedman

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