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1 & 1
 
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1 & 1

~ Hancock (Artist), Shorter (Artist)
3.5étoiles sur 5  Voir tous les commentaires (11 évaluations de client)
Price: CDN$ 14.99 & se qualifie pour Livraison super-économique GRATUITE pour des commandes de plus de CDN$ 39. Détails
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Habituellement expédié sous 3 à 5 semaines.
Vendu et expédié par Amazon.ca.

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13 neufs à partir de CDN$ 12.09 5 d'occasion à partir de CDN$ 11.59

Les détails du produit


1. Meridianne -- A Wood Sylph
2. Aung San Suu Kyi
3. Sonrisa
4. Memory of Enchantment
5. Visitor from Nowhere
6. Joanna's Theme
7. Diana
8. Visitor from Somewhere
9. Manhattan Lorelei
10. Hale-Bopp, Hip-Hop

Descriptions du produit

From Amazon.co.uk

On this remarkably intimate session, Herbie Hancock and Wayne Shorter reduce themselves to their purest instrumental voices, Hancock's piano and Shorter's soprano sax. In some way the improvisational character is a return to their musical roots, eschewing the techno-grooves and layered sounds of their most successful commercial ventures. For Hancock it's a return to the spontaneity of the duets with Chick Corea, while for Shorter it's akin to the recording with Jim Hall and Michel Petrucciani. Either way, it's one of the most arresting dates of their later careers, a work of creative introspection and retrospection, two artists turning to a pivotal partner for inspiration. Whether the music is wistful or unsettling, it's the subtlety--almost the minimalism--that's most startling, a mature knowledge that you can sometimes make the most with the least. --Stuart Broomer


Amazon.com essential recording

On this remarkably intimate session, Herbie Hancock and Wayne Shorter reduce themselves to their purest instrumental voices, Hancock's piano and Shorter's soprano sax. In some way the improvisatory character is a return to their musical roots, eschewing the techno-grooves and layered sounds of their most successful commercial ventures. For Hancock it's a return to the spontaneity of the duets with Chick Corea, while for Shorter it's akin to the recording with Jim Hall and Michel Petrucciani. Either way, it's one of the most arresting dates of their later careers, a work of creative introspection and retrospection, two artists turning to a pivotal partner for inspiration. Whether the music is wistful or unsettling, it's the subtlety--almost the minimalism--that's most startling, a mature knowledge that you can sometimes make the most with the least. --Stuart Broomer

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L'avis des consommateurs

11 évaluations
5 étoiles:
 (4)
4 étoiles:
 (3)
3 étoiles:
 (1)
2 étoiles:
 (1)
1 étoiles:
 (2)
 
 
 
 
 
Évaluation du client type
3.5étoiles sur 5 (11 évaluations de client)
 
 
 
 
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Commentaires client les plus utiles

 
4.0étoiles sur 5 Yes, you might have complaints..., Avril 16 2004
Par Un client
Interresting to read reviews of this CD. It seems that you either love or hate it. I can truly understand the criticism, but as one reviewer put it: it depends on your expectations. Listen with an open mind. Now I will get personal.

This record is one of the most important ones to me. I don't listen to it as much now as I did a couple of years ago. For me it summarizes all the possible and impossible feelings you have and show life as it is. Shorter and Hancock are artists AND craftsmen. They know what they do. It is not random soul searching. They generously let us se life by means of their musical ability.

The raw beauty of Shorters soprano and Hancocks grand piano tapestry is worth listening to and I really hope you would consider to buy this CD even though it is not your ordinary "keep-it-as-it-is" jazz record.

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2.0étoiles sur 5 living on their laurels, Fév 11 2003
Par Robert J. Crawford (Balmette Talloires, France) - Voir tous mes commentaires
(REAL NAME)   
THere is a clear point of distinction between jazz devotees and jazz lovers. While the devotees are collectors who gobble up everything their favorite artists do with a depressing lack of critical appreciation and look as deeply as possible into every obscure nuance, the jazz lover just wants good music and enjoys the history of jazz, in particular the classics. I am definitely a jazz lover. As such, I am often disappointed by the contemporary efforts of the old greats, whether they are recapitulating past succeses or trying to come up with something new.

This cd is definitely for jazz devotees: the music is mediocre and derivative of the pasts of these truly great artists and alas, their technical playing has declined. But it offers plenty of fodder for the obsessed devotee who will barely listen to the music as music. My advice is: if you just want good music, don't get this; the classics are far more reliable. If you are a collector, then nothing will stop you and you are uninterested in what I advise anyway, so buy it; but as it is a few years old you probably already have.

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4.0étoiles sur 5 Fascinating, beautiful, Janv. 4 2003
Par DMG (Swindon UK) - Voir tous mes commentaires
This a return of sorts for both artists...but a return to what? What we here is not the HH of Maiden Voyage, or the WS of the Miles Davis Quintet that produced such masterpieces as Nefertiti...this is music that escapes categorisation, and by that I do not mean that is 'fusion' or 'crossover.' With no support from drums or bass, the two musicians have to plumb the depth of their artisry to find compelling ways to paint beautiful pictures on blank, hostile canvases. If you've only previously experienced HH on something like 'Future Shock', or Shorter on a Weather Report album, you'll be in for quite a shock. This is music of illusion, dreams, and serenity. Familiar sounds poke there heads through the mist, then dissappear again just before you can identify them. At times, it doesn't work, but at others, notably 'Memory of enchantment', it's perfect. Is it classical...jazz...who cares. It's sublime.
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Commentaires client les plus récents

5.0étoiles sur 5 Quit calling it jazz and then listen
I think part of the negative reaction to this CD is based upon a pre-conceived notion of what this CD SHOULD sound like. Read more
Publié le Avril 22 2002 par S. Hawkins

5.0étoiles sur 5 sHeAr DaLmAtIoNrY
as eloquence meets the nonplussed and vision pears (sic) across the void, this convergence of perhaps two of the most influential and relavent jazz artists of the latter half of... Read more
Publié le Nov. 6 2000 par Didney

5.0étoiles sur 5 a modern jazz masterpiece......
These two men are beyond the normal realms of jazz. And their communication on the album is astounding. Read more
Publié le Oct. 11 1999 par Russell Jennison (rustamon7@ao...

1.0étoiles sur 5 MOST OVER-RATED JAZZ TITAN OF OUR AGE
Of the fifty jazz cds I have purchased in the last two years, I would have to say that the two I like the least are by Herbie Hancock. Read more
Publié le Juil 22 1999

1.0étoiles sur 5 One star,because it doesn't go to zero
1+1 must refer to the lobotomies these two jazz stars had before they made this painfully boring, unemotional, self-indulgent CD. Makes a good coaster.
Publié le Juil 12 1999

3.0étoiles sur 5 Strangely Uninvolving
I found this album to be intriguing but uninvolving. As a fan of Mr. Hancock's work, the interplay with Mr. Shorter was certainly worth investigating. Read more
Publié le Jui 27 1999

4.0étoiles sur 5 Musical Geniuses at work
I was lucky enough to see these two talented composers in Melbourne, Australia during their 1+1 tour. Read more
Publié le Mai 20 1999

5.0étoiles sur 5 STUNNING COLLABORATION
This entire CD goes down smooth. Two masters at work, having fun and revisiting the old with their special stamp on it. Read more
Publié le Mai 11 1999

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