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4.0 out of 5 stars
What Requiem should have been, July 11 2004
Electra Nonsuch, a division of Warner Communications, released a CD several years ago of such power, reverence and intensity that it deserves a second look in 2004. The CD, Henryk Górecki's Symphony No. 3 in three parts is consistent in its elegance and somber tone throughout. Composed in 1976 in the small town of Katowice, the Symphony take us through the account of what occurred in another small town outside Katowice, named O˝wiecim, better known to the world as Auschwitz. As the name would suggest, the Symphony evokes images of long human suffering, endurance and ultimately salvation from the human condition of a Nazi concentration camp. Nothing cheery here. But there is something uplifting, too; from the moment the first movement begins: "Lento - Sostenuto Tranquillo MA Cantabile", when the almost imperceptible dual bass introduces us to the canon that follows, the slow tempo and evocative dull cadence like the slow beat of a fading heart, one senses the mood will evolve and elevate, and it does, gradually, through a spiritual second movement - "Lento E Largo - Tranquillissimo" in stages until the soprano, Dawn Upshaw, begins her imprisoned prayers and carries us to affirmation in the final and third movement, "Lento - Cantabile Semplice". The words are prayers inscribed on the walls of the cells inside Auschwitz: "18-years old, imprisoned since 26 September 1944". This simple statement of fact, says it all. Symphony No. 3 is, in an odd way, sensual and very personal in the way that music speaks to the soul and what is in our hearts. You play this CD when you are ready to meditate and relax, or when you are with someone you care about and want to hold them close. No words need to be said, the music speaks its own language here. Verdi came close to this with his Requiem, but didn't sustain the mood. Górecki sustains the mood and never deviates or disrupts the spirituality of the tone he creates. Immediately after I listened to this CD I went to my cabinet and took out John William's equally evocative and reverential "Saving Private Ryan". The two should be played one after the other, in the order recommended. There are similarities in the two that make the match a good one.
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5.0 out of 5 stars
an emotional masterwork, Jun 27 2004
I'm a huge fan of Dawn Upshaw and bought this CD without knowing anything about it. I'll admit that I wasn't blown away by it - at first. I thought: what is this? However, I found myself drawn to it again and again. Now I find myself becoming increasingly emotional while listening to it. It's very affecting music. Upshaw's voice seems a gift from Heaven. Buy it - listen to it - give it an opportunity to soak in - you'll come to cherish it. I did.
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5.0 out of 5 stars
Minimal and intensely moving, Jun 24 2004
When this recording emerged in the early 1990's, it not only shot to the top of the classical charts, but to the top of some pop charts as well, an unusual phenomenon. It's not hard to see why; the composer's simple, but eloquent language here speaks to many types of listeners, even those who might not usually listen to so-called "serious" classical music. The symphony is in three slow-moving sections, all labeled "Lento" and with heartbreaking texts. As a sample, here are the words to the second movement, based on a message found scrawled on a Gestapo prison cell wall in 1944 by an 18-year-old girl: No, Mother, do not weep, Most chaste Queen of Heaven Help me always. Hail Mary. The music accompanying these sometimes agonizingly sad words is shining, gleaming, radiant -- transforming what could be heard as unremitting despair into something more spiritually uplifting. Dawn Upshaw, singing in Polish, sounds gorgeous here, with the simple purity of her voice adding a great deal to David Zinman's unforced interpretation of the work. The renowned London Sinfonietta plays with a delicacy that suits the music, and the recording quality allows all this transparent peacefulness to shine through. Those familiar with Arvo Pärt or John Tavener's slow-moving, spiritual style should find this work quite rewarding. (Note to prospective Gorecki fans: his style is eclectic, and not all of his work is as placid as this piece.)
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