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Prayers of Kierkegaard/Dona No
 
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Prayers of Kierkegaard/Dona No [Import]

~ Samuel Barber (Composer), Bela Bartok (Composer), Ralph Vaughan Williams (Composer), Robert Shaw (Conductor), Carmen Pelton (Performer), et al.
4.4 out of 5 stars  See all reviews (5 customer reviews)

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15 new from CDN$ 14.40 3 used from CDN$ 22.31

Product Details


1. O Thou Who Art Unchangeable
2. Lord Jesus Christ, Who Suffered All Life Long
3. Father In Heaven, Well We Know That It Is Thou
4. Father In Heaven! Hold Not Our Sins Up Against Us
5. Part I - Nathan Gunn
6. Part II - Nathan Gunn
7. Part III - Nathan Gunn
8. I. Agnus Dei
9. II. Beat! Beat! Drums!
10. III. Reconciliation
11. IV. Dirge For Two Veterans
12. V. The Angel Of Death
13. VI. O Man Greatly Beloved

On this CD:
  1. Prayers of Kierkegaard for soprano, mixed chorus & orchestra, Op.30 O Thou Who art unchangealbe
    Composed by Samuel Barber
    with Carmen Pelton
    Conducted by Robert Shaw

  2. Prayers of Kierkegaard for soprano, mixed chorus & orchestra, Op.30 Lord Jesus Christ Who sufferd all life long
    Composed by Samuel Barber
    with Carmen Pelton
    Conducted by Robert Shaw

  3. Prayers of Kierkegaard for soprano, mixed chorus & orchestra, Op.30 Father in Heaven well we know that it is Thou
    Composed by Samuel Barber
    with Carmen Pelton
    Conducted by Robert Shaw

  4. Prayers of Kierkegaard for soprano, mixed chorus & orchestra, Op.30 Father in Heaven! hold not our sins up against us
    Composed by Samuel Barber
    with Carmen Pelton
    Conducted by Robert Shaw

  5. Cantata profana, for tenor, baritone, double chorus & orchestra (or piano) Sz. 94, BB 100
    Composed by Bela Bartok
    with Richard Clement, Nathan Gunn
    Conducted by Robert Shaw

  6. Dona Nobis Pacem, cantata for soprano, baritone, chorus, & orchestra Agnus Dei
    Composed by Ralph Vaughan Williams
    with Carmen Pelton, Nathan Gunn
    Conducted by Robert Shaw

  7. Dona Nobis Pacem, cantata for soprano, baritone, chorus, & orchestra Beat! Beat! Drums!
    Composed by Ralph Vaughan Williams
    with Carmen Pelton, Nathan Gunn
    Conducted by Robert Shaw

  8. Dona Nobis Pacem, cantata for soprano, baritone, chorus, & orchestra Reconciliation
    Composed by Ralph Vaughan Williams
    with Carmen Pelton, Nathan Gunn
    Conducted by Robert Shaw

  9. Dona Nobis Pacem, cantata for soprano, baritone, chorus, & orchestra Dirge for Two Veterans
    Composed by Ralph Vaughan Williams
    with Carmen Pelton, Nathan Gunn
    Conducted by Robert Shaw

  10. Dona Nobis Pacem, cantata for soprano, baritone, chorus, & orchestra The Angel of Death
    Composed by Ralph Vaughan Williams
    with Carmen Pelton, Nathan Gunn
    Conducted by Robert Shaw

  11. Dona Nobis Pacem, cantata for soprano, baritone, chorus, & orchestra O man greatly beloved
    Composed by Ralph Vaughan Williams
    with Carmen Pelton, Nathan Gunn
    Conducted by Robert Shaw


Product Description

From Amazon.com

It's unclear why this program works so well, but it does. It may be because all three composers resolutely affirmed the virtues of tonality at a time when it was terribly out of fashion, though each did it in his own way. Barber was a genuine neo-Romantic before we had the term to describe him, so his heartfelt and emotional music was simply called "backward looking" while he was alive. Vaughan Williams and Bartók were both authorities on folk song who used the "uncouth vocal utterance of the people" to forge fresh and contemporary musical styles. Robert Shaw, one of the great choral music conductors of all time, plays all three works with a near ideal combination of clarity and intensity, and, of course, the chorus is sensational. --David Hurwitz

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Customer Reviews

5 Reviews
5 star:
 (4)
4 star:    (0)
3 star:    (0)
2 star:
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Average Customer Review
4.4 out of 5 stars (5 customer reviews)
 
 
 
 
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2.0 out of 5 stars Terrible Recording of the Barber, Jan 10 2002
By A Customer
I will disagree with the other reviewers here. The Barber is a wonderful piece, dreadfully and lifelessly performed here. The chorus has no emotion. The recording is unfocused...the strings sound absolutely amateurish throughout. Schenck's work on Koch is much superior, even though rough at the edges; it bristles with electricity, and the soprano is just perfect for the second section.
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5.0 out of 5 stars Bartók and Vaughan Williams So Good, Forgive Even Barber, Nov 16 2001
By Karl Henning "Composer & Clarinetist" (Boston, MA) - See all my reviews
(REAL NAME)   
Shaw does brilliant work with these three pieces, and luckily two of them merit the loving attention.

Bartók brought brilliance and heart to every genre he turned his compositional hand to, and this Cantata is no exception. He infused such intense drama into such "abstract" works as the six quartets, the three piano concerti, the Concerto for Orchestra and the Music for Strings, Percussion & Celesta - that his keen sense of staging in his ballets, opera, and this robust cantata, is scarcely a surprise. This piece is magical and gripping; this performance has the additional benefit (for those of us who cannot speak Magyar) of being rendered in a fine English translation.

I should write more about the Vaughan Williams Dona Nobis Pacem beyond saying that I love the piece, and that Vaughan Williams is the 20th century's great gift to the choral-&-orchestral repertory. But for the moment, I will content myself with saying only that.

The Barber is all too characteristic: more or less agreeable, but dull. This occupies little enough space on such a richly endowed disc, that my enthusiasm for the disc is undiminished.

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5.0 out of 5 stars Evocation of the Spirit (2), Feb 25 2001
By A. G. Plumb "Greg Plumb" (Melbourne, Australia) - See all my reviews
(REAL NAME)   
Following the wonderful Evocation of the Spirit CD (Gorecki, Part, Martin, Barber and Shoenberg) this is an ideal follow up. The twentieth century really did produce some wonderful choral music and although the Barber and Bartok here are not totally consistent, the Vaughan-Williams is great.
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Most recent customer reviews

5.0 out of 5 stars Why didn't Shaw record more Vaughan Williams?
In the final CD to be released before his death in 1999, Shaw finally got around to recording "Dona nobis pacem". Read more
Published on Dec 18 2000 by Samer T Ismail

5.0 out of 5 stars Shaw's rendition of Dona Nobis Pacem a spine tingler
I bought the CD because our local chorus was singing Vaughan Williams. The recording is spectacular. Read more
Published on April 13 1999 by James Osborn

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